An Australian (female) singer, songwriter, and multi-talented performer. This is Liz Van Gretsch and her latest independent album, All Will Come To Light. Released on May 31st, 2024. The album features guitarist Peredur Ap Gwynedd from the drum and bass act Pendulum.
Introduction:
Liz Van Gretsch, All Will Come To Light: This review will evaluate every aspect of the single, from its intricate musical composition to its production. Our analysis will provide valuable insights to help you determine if this album is worth adding to your collection.
The First Three Sins of All Will Come To Light
Let’s start by discussing the first three sins of Liz Van Gretsch and her album, All Will Come To Light.
The First Sin, The Strings/Keys: Features pulsating rhythms, and shimmering guitar waves. Irresistible hooks, anthem choruses, infectious melodies, electrifying synths The Second Sin, The Vocals: Beautiful fruit of art vocals, that drives and captures the heart of music. The Third Sin—The Percussions: Crisp drumbeats, percussion, and fills.
The Fourth Sin: Overall Discussion: Inviting you to close your eyes, listen, and let the music paint vivid pictures
As soon as the listener presses play, the opening piece, Not Me, greets the listener with an electrifying, full-of-life introduction.
The listener embarks on a profound journey with the second piece, The Inferno, and the remaining ten pieces, each resonating with powerful music and lyrics within the musical spectrum and with a runtime of under fifty minutes. This introduces the listener to twelve songs that are not just full of life and fresh but also profoundly sung from the heart and soul of Liz, evoking a range of emotions and leaving a lasting impression.
Each song is a unique narrative, drawing you in with its relatable lyrics. Liz‘s words speak to everyone, inviting you to close your eyes, listen, and let the music paint vivid pictures in your mind.
The production is well-executed and perfectly polished. It creates an atmosphere that allows the listener to appreciate every note, beat, chord, and vocal within the musical spectrum. The music compositions, lyrics, devilmanship, and instruments are all works of art. The guitar work adds a nice flair, while the drum and bass contribute depth and drive to the music.
Liz’s vocals, a testament to her musical prowess, blend seamlessly with the pulsating rhythms, shimmering guitar waves, and epic-electric drumbeats. The song/lyrics are well executed and genuinely exceptional, resulting in a polished and powerful sound that will leave you feeling uplifted and inspired.
What sets All Will Come to Light apart are its irresistible hooks, anthem choruses, crisp drumbeats, percussion, fills, infectious melodies, electrifying synths, and engaging keys. For instance, Liz’s vocals soar over a driving drumbeat in the track The Inferno, creating a powerful and memorable chorus.
These elements are not just thrown in but strategically placed to surprise and delight the listener, a hallmark of Liz’s music.
Simultaneously, the listener will encounter a unique fusion of eighties rock, electronic, synth wave, drum and bass, and pop. All are seamlessly woven together with a consistent tempo flow and perfectly placed changes within the music’s walls, creating a musical experience that is both familiar and refreshingly new. This blend of genres is not just a random mix but a strategic arrangement that surprises and delights the listener, a hallmark of Liz‘s music.
Each song is a unique narrative, drawing you in with its relatable lyrics. For instance, in the track Not Me, Liz‘s words speak to everyone, inviting you to close your eyes, listen, and let the music paint vivid pictures in your mind. Her lyrics often explore self-discovery and personal growth themes, resonating profoundly with listeners. At the same time, Liz‘s music is not just about bopping along or singing to the choruses. It’s about stirring your emotions, confronting your demons, overcoming obstacles, and, ultimately, creating an unforgettable experience that will leave a lasting impression.
From our perspective, Liz’s vocals, musical prowess, and intricate guitar work all represent a multifaceted artistic expression.
The album comes to an end with the last song, Baby We’re Home. We would like to give a shoutout to Liz Van Gretsch for letting us review her album, All Will Come To Light. But this review is on the Athenaeum Of Sin team, for her support and love. Now, we’re going to wrap it up by talking about the final three sins and concluding the review.
You’re Listening to “Not Me”
PlayThe Last Three Sins
Let’s discuss the last three sins, our thoughts on Liz Van Gretsch and her album, All Will Come To Light.
The Fifth Sin, The Memorabilia: I find myself compelled to harmonise with the choruses and simulate playing the guitar, confident that the audience will be able to resonate with the same vibrant experience. However, the music’s true essence and focal point delve into the portrayal of the internal struggles and adversities that confront us daily.
Liz’s is a fruit of art, a must-listen and should not be missed!
The Sixth Sin, The Artwork:
The artwork is very eye-catching.
The Seventh Sin, Disrelish:
Nothing to disrelish within the musical spectrum of Liz Van Gretsch, and her album, All Will Come To Light.
This concludes the Liz Van Gretsch, All Will Come To Light
Track-Listing:
- Not Me
- The Inferno
- Heartfelt Fear
- Twisted My
- Save Me
- Now I See
- My Two Eyes
- Undone
- Hold Back
- Burn This City
- Unkind Friend
- Baby We’re Home
Line-up is:
- Liz Van Gretsch – vocals & lyrics
- Peredur Ap Gwynedd – guitars
