Athenaeum Of Sin Reviews

Atomic Cretins – Day of Torment Review: An Extreme Black Thrash band from the United States. April 12th, 2022, Atomic Cretins independently released their fourth EP album Day of Torment, which includes three tormenting tracks, which would gratify raw/extreme music and horror fans. The EP was promoted through Pennsylvania Music Fan PR.

Atomic Cretins – Day of Torment Review opens and discusses the FIRST SIN: THE STRINGS/KEYS. Which consists of thrash metal barb-wire riffage/screaming shredding and evil rhythms.

Let’s talk about the SECOND SIN: THE VOCALS, which involves the possession of (female) primitive and barbaric (sick as hell) screams.

Moving on to the THIRD SIN: THE PERCUSSIONS, which delves into the vast world of hell-bend strikes and blast beats

In our following discussion about the band’s musical work, we will focus on the FOURTH SIN, the overall DISCUSSION of the album. Immediately after the listener presses that play button, one is welcome to the opening piece LAGO NERO, where the listener is welcome to a short synth intro, followed suit with some nasty and extreme instrumental and sick vocal work.

As one continues their journey with the last two remaining tracks, DANA ANU and DAY OF TORMENT, where the listener’s ears and soul encounter music and attitude of providing unholy music, there will be blood, sacrificial offering, sound, and atmosphere raw as hell; the sound was recording was done in a basement/hell pit of torture.

So prepare for this tormenting journey of powerful and extreme music of pure carnage, brutal, suffocating, and devours the listener’s soul in its short duration.

DAY OF TORMENT offers and captures both metal elements of old-school black metal icy atmosphere and the aggression and fast tempo of thrash metal (simultaneously)

ATOMIC CRETINS provides the listener with thrash metal barb-wire riffage/screaming shredding and evil rhythms from the guitar. Drum work with hell-bend strikes and blast beats. BRI ELZEBUB‘s vocals provide the listener with primitive and barbaric (sick as hell) screams.

At the same time, DAY OF TORMENT is provided and delivered by solid and brutal and tormenting devilmanship and an inked lyrical theme on Occult, Italian horror movies, and H.P. Lovecraft -thus making the music and atmosphere extra dark, evil, and extreme as hell!

I wanted to share our thoughts and MEMORABILIA on the FIFTH SIN. The raw and unholy sound, incredibly BRI ELZEBUB‘s primitive and barbaric (sick as hell) vocals.

Let’s discuss the ARTWORK of the SIXTH SIN. Depicts a painting of the Spanish Inquisition, which complements the music that torments the listeners’ souls, ears, and minds.

Finally, the review will close with the last sin, the SEVENTH SIN, the DISRELISH. With nothing to disrelish within the musical world of ATOMIC CRETINS. This concludes the Atomic Cretins – Day of Torment Review.

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