Azzaya is a collective entity hell-bent on spreading the most vile, Raw Black / Death Metal propaganda. This Portuguese act was formed in 2021 with two full-lengths under their belt. On December 28th, 2024, Azzaya released their independent EP album, “Raging Satanic Aggression”.
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Azzaya, Raging Satanic Aggression Review: This review will evaluate every aspect of the album, from its intricate musical composition to its production. Our analysis will provide valuable insights to help you determine if this album is worth adding to your collection.
The First Three Sins of Raging Satanic Aggression
Let’s start by discussing the first three sins of Azzaya and their album, Raging Satanic Aggression
The First Sin, The Strings/Keys: Envelops the listener in an unholy experience of rich, complex guitar work that features tremolo picking and sinister melodies woven into the very fabric of the riffs. The Second Sin, The Vocals: Involves a powerful amalgamation of black metal screams and death metal growls… The Third Sin—The Percussions: Delves into a vast world of relentless drumming, punctuated by an abundance of blast beats, constructs a ferocious sonic landscape.
The Fourth Sin: Overall Discussion:
A collective entity hell-bent on spreading the most vile, Raw Black / Death Metal propaganda.
When the listener hits the play button, they are immediately confronted by the explosive intensity of Raging Satanic Aggression. The track unleashes a torrent of unrestrained fury, setting the stage for the subsequent five pieces that follow in its chaotic wake.
As the auditory adventure unfolds, Azzaya emerges as a relentless force, far from a gentle stroll or a casual listen. This collective entity is fiercely dedicated to disseminating the most grotesque Raw Black / Death Metal ideology across six tracks that stretch over twenty minutes, promising to shatter your spirit and assault your senses with its brutal onslaught.
As the listener delves deeper into the musical realm of Azzaya, they will come to a profound realization: the essence of Raging Satanic Aggression permeates every facet of this composition. The production exudes a dark, raw, and heavyweight sound that embodies a genuine forbidden fruit of art release. With a fruit of art blend of tempos and rough transitions, the whole piece unfolds like the prevailing storm, drawing the audience into its chaotic embrace. This tight-knit devilmanship showcases a devilish artistry that envelops the listener in an unholy experience. Nazur‘s rich with complex guitar work that features tremolo picking and sinister melodies woven into the very fabric of the riffs. Gandum‘s relentless drumming, punctuated by an abundance of blast beats, constructs a ferocious sonic landscape that is both captivating and overwhelming.
Retrofornicator (Forgotten) vocals are a powerful amalgamation of black metal screams and death metal growls, enhanced by ethereal female harmonies that echo through the darkness. Interspersed within this cacophony are chilling quotations reminiscent of “Hellraiser/Doug Bradley”, as haunting cries elevate the atmosphere to a spine-tingling level. At the same time, LS‘s bass work lay a solid foundation for the music. Together, these elements create a visceral experience that leaves an indelible mark on the listener, immersing them in a world where chaos and artistry collide.
Azzaya embraces a bold and classic blend of black and death metal, pushing the boundaries of the genre. The lyrics delve into themes like Satanism and anti-Christian sentiments, providing a provocative backdrop to the intense musical experience.
Concluding Raging Satanic Aggression is the haunting track Empyreal of their Lord Infernal (Alternative version), which envelops the listener in a slower, more contemplative tempo. This instrumental composition weaves together eerie synths that evoke a sense of foreboding, complemented by deep, emotive vocals that channel the dark essence of bands like Type O Negative and Joy Division, creating an atmosphere thick with dread and melancholy. This piece serves as a fitting conclusion to the album. We want to give a shoutout to Azzaya, for letting us review their album Raging Satanic Aggression. Now, we are going to conclude the review by talking about the final three sins and concluding the review.
The Last Three Sins
Let’s discuss the last three sins of Azzaya and their album, Raging Satanic Aggression
The Fifth Sin, The Memorabilia:
What more could I desire than music that embodies aggression, darkness, sickness, evil, and a touch of the satanic from the very first moment I hit play? I must admit, every single note of Raging Satanic Aggression captivates me completely. As I reach the final track, I find myself enchanted by the haunting, deep emotional resonance that flows from the instruments, vocals, and intricate compositions, sending shivers down my spine and igniting goosebumps across my skin.
The Sixth Sin, The Artwork:
A sombre and striking tableau showcases a statue, likely representing a religious icon, positioned against a backdrop of a vivid crimson sky. The setting evokes a contrasting atmosphere through its bold colours, amplifying the overall gothic appeal. This scene harmonizes effectively with the music, particularly the concluding piece, which embodies a Gothic-doom essence.
The Seventh Sin, Disrelish:
Nothing to disrelish within the musical spectrum of Azzaya and their album, Raging Satanic Aggression. Therefore, this concludes Azzaya and their album, Raging Satanic Aggression review.
Members
Retrofornicator: vocals
LS: bass
Nazur: guitar
Gandum: drums
Track-Listing
01. Raging Satanic Aggression
02. Evoking the Khaosatan
03. Empyreal of thy Lord Infernal
04. Anticristo
05. Cabritos de Deus
06. Empyreal of thy Lord Infernal (Alternative Version)
