Onioroshi is an Italian Progressive-Psych band. On the 21st February 2025, Onioroshi released their second LP, entitled “Shrine.” Preserve the same influences which characterize the band’s original psychedelic sound, but taking the experience to a whole new level of complexity and depth, focusing on a meticulous research of sound layers, odd structures and lyrics. The album was released through Bitume Productions.
Onioroshi Social Links
Onioroshi, Shrine Review: This review will evaluate every aspect of the album, from its intricate musical composition to its production. Our analysis will provide valuable insights to help you determine if this album is worth adding to your collection.
The First Three Sins of Shrine
Let’s start by discussing the first three sins of Onioroshi and their album, Shrine
The First Sin, The Strings/Keys: Involves an intricate and experimental playing style that blends progressive and psychedelic riffs. The bass provides a solid foundation with deep, resonant tones that complement the psychedelic elements. The Second Sin, The Vocals: Characterized by expressive and emotive singing, that adds depth and intensity to their music. The Third Sin—The Percussions: Delve into a vast world of complex rhythms and dynamic drumming that drives the energy of their songs.
The Fourth Sin: Overall Discussion:
Offers a unique blend of experimental, psychedelic, and progressive elements that create an immersive auditory experience.
As soon as the listener presses the play button, the music greets them with three songs entitled Pyramid, Laborintus, and Egg, taking the listener on a mind trip filled with odd time signatures, drowning in noise and partial darkness.
Onioroshi and their album Shrine is a fifty-four-minute experimental, progressive, and psychedelic journey for those who have an open mind and enjoy music that exhibits a devilmanship thinking beyond conventional boundaries. Onioroshi and their album Shrine is a mind-binding release that seamlessly blends psychedelic rock and progressive rock with experimentation from the moment one presses that play button.
Shrine is a down-the-rabbit-hole experience that elevates complexity and depth, focusing on meticulous research of sound layers, odd structures, and lyrics, all wrapped in production that is polished to perfection. It’s not just the composition of the music that brings it to life, but the fruit of art devilmanship that makes the music resonate. The tight and well-structured instrumental composition delivered by a solid and cohesive artistry that provides the listener’s ears with an ear-blending medley of progressive and psychedelic riffs, brought to life by complex and experimental sounds. The solid bass riffs drive the rhythm underpinning the band’s compositions, adding depth and groove to their sound. The drums are precise, delivering a dynamic sound that enhances the band’s energetic and complex musical arrangements. The vocalist of “Onioroshi” contributes a distinctive voice that complements the band’s progressive and psychedelic style with expressive and captivating vocals.
Shrine stands out as a fruit of art release, showcasing a thoughtful structure and composition that unfolds gracefully over its fifty-four minutes. The music flows seamlessly, creating a captivating tempo that invites listeners to immerse themselves fully. Each track is rich with intricate layers, oscillating between aggressive bursts and serene, psychedelic interludes, all while maintaining an atmospheric depth that enhances the overall experience.
To truly appreciate, Shrine, one must carve out a moment of solitude, dim the lights to a soft glow reminiscent of moonlight, and disconnect from the modern world. Nestling into a comforting spot with a drink in hand, listeners can surrender themselves to the enchanting soundscape, allowing the music to guide them on a mesmerizing journey down the rabbit hole of its sonic intricacies.
If you have a passion for music that leans towards the instrumental, where the vocals occasionally recede into the background or unexpectedly burst forth with energetic flair, then this is the perfect fit for you. The soundscape is rich and layered, inviting listeners to explore its depths.
Shrine offers a unique blend of experimental, psychedelic, and progressive elements that create an immersive auditory experience. Each track unfolds like a journey, taking you through a landscape of sound that is both captivating and thought-provoking. Furthermore, Onioroshi challenges traditional boundaries, and this collection promises to deliver. It’s a celebration of creativity and innovation, making it an essential listen for anyone eager to expand their musical horizons.
The album concludes with the final note of music, which invites the listener to press the repeat button. We want to give a shoutout to Onioroshi for letting us review their album Shrine. Now, we are going to conclude the review by talking about the final three sins and concluding the review.
The Last Three Sins
Let’s discuss the last three sins of Onioroshi and their album, Shrine
The Fifth Sin, The Memorabilia:
For me, I found Onioroshi and their album Shrine, a fruit of art, and a challenge to write this article, as I was so enthralled by the music and sounds echoing from my speakers. I enjoy various genres, especially those that blend multiple elements, and Onioroshi has certainly achieved this. Discovering Onioroshi and their album Shrine has been a captivating journey for me, one that has transformed into both an artistic revelation and a delightful challenge in crafting this article. The music resonating from my speakers has completely captured my attention, making it difficult to focus on anything else.
The experience of listening to Shrine is akin to stepping into a vibrant tapestry of sound, where each note and rhythm intertwines to create a rich auditory landscape. Onioroshi‘s ability to blend various musical influences is not just impressive; it’s a testament to their creativity and innovation. Ultimately, Shrine is not just an album; it is an experience that invites listeners to embark on a journey through a world of musical exploration and artistic expression.
The Sixth Sin, The Artwork:
I’m unsure about the artwork, but I do appreciate it; it is different, just like the band’s music.
The Seventh Sin, Disrelish:
There is nothing to dislike in the musical offerings of Onioroshi and their album Shrine. Thus, we conclude our review of Onioroshi and their album Shrine. I would like to take this opportunity to express my gratitude for your time in reading this article, and I encourage you to explore the work of Onioroshi and Bitume Productions.
Members
unknown: guitars
unknown: bass
unknown: drums
unknown: vocals
Track-Listing
01. Pyramid
02. Laborintus
03. Eggs
