Emissary is a Spanish Thrash/Death band. Established in 2023. On February 28th 2025, Emissary unleashed their debut full-length album titled “Eldritch.” The album was distributed by Fetzner Death Records and promoted through The Metallist PR.
Emissary Social Links
Emissary, Eldritch Review: This review will evaluate every aspect of the album, from its intricate musical composition to its production. Our analysis will provide valuable insights to help you determine if this album is worth adding to your collection.
The First Three Sins of Eldritch
Let’s start by discussing the first three sins of Emissary and their album, Eldritch
The First Sin, The Strings/Keys: Features twin guitar work of crushing riffs and intricate solos that blend thrash and death metal elements. The tones are heavy and aggressive, contributing to the band’s overall dark and oppressive atmosphere. The bass riff lines provide a solid foundation for the band’s sound, adding depth and power to the music. The Second Sin, The Vocals: Involves raw and aggressive vocals, perfectly fitting the band’s dark and intense music. The Third Sin—The Percussions: The drumming is relentless and powerful, featuring fast double bass patterns, intricate fills, and precise blast beats.
The Fourth Sin: Overall Discussion:
A sonic odyssey that delves into the heart of cosmic horror. Immersing listeners in a labyrinth of shadowed realms where the unknown reigns supreme.
As soon as the listener presses the play button, the opening piece Eternity Bound greets the listener with this aggressive and horror atmospheric opening, setting up for what’s about to come…
Following suit with the second piece, Door to the Mystical, and the remaining six tracks, where the listener is pulled into a realm steeped in cosmic horror. Eldritch draws inspiration from the eerie narratives of H.P. Lovecraft, and weaves a haunting and powerful atmosphere. They create a deeply immersive sonic journey that resonates with darkness and intensity.
Emissary‘s album Eldritch delivers an intense auditory experience, showcasing the raw power and aggressive artistry that defines their sound. Eldritch artfully blends the frenetic energy of thrash metal with the haunting vibes of 80s horror death metal. The production shines with a fierce intensity, allowing the music to pulse with an extreme energy that envelops the listener in a chaotic sonic realm. Throughout Eldritch, the narrative is succinct, clocking in at just thirty minutes across eight tracks. Each song serves as a compelling chapter in the narrative woven by Emissary, leaving an indelible mark that lingers long after the final note.
Emissary and their album “Eldritch” provide the listener with an intricate composition that is well-crafted and arranged, both musically and lyrically. Delivered by a fruit of art devilmanship offers an enthralling and complex auditory journey, masterfully intertwining musical and lyrical components to create a darkly soundscape. Each track reveals the artistry behind its creation, reflecting a careful precision that enhances the overall listening experience. With a fusion of striking riffs and passionate vocal performances, the album conjures a mesmerizing ambiance that envelops the audience in a mysterious and shadowy world where ambiguity reigns. This artistic endeavour skilfully constructs a sonic environment that beckons exploration, pulling listeners further into its darkened corners where the allure of the unknown captivates the imagination.
Eldritch takes you on a harrowing journey into the depths of insanity, crafting a tumultuous symphony that intertwines the fabric of reality with the threads of nightmare. Each track pulls you further into the void, where the edges of sanity unravel and hidden, forbidden truths lurk in the shadows. The ambiance is both stifling and captivating, with unyielding beats and eerie melodies resonating like whispers from the vast, uncaring universe. Through its raw intensity and haunting, ethereal sounds, Eldritch evokes images of ancient, unfathomable beings and dimensions where time and space twist into unimaginable terrors.
Eldritch not just an album; it is an immersive experience, a dive into a dark enigma where the lines of existence blur, compelling you to ponder the nature of reality and the essence of madness.
If you’re a fan of extreme metal with a touch of cosmic horror, this may be worth exploring!
As the concluding notes gradually diminish with the final composition, Ravening for delight. We want to thank, both Fetzner Death Records and The Metallist PR for letting us review Emissary and their album, Eldritch. We will wrap it up by discussing the final three sins and concluding the review.
The Last Three Sins
Let’s discuss the last three sins of Emissary and their album, Eldritch
The Fifth Sin, The Memorabilia:
This half-hour sonic expedition and fruit of art release, crafted by Emissary, felt like a true old-school extreme metal band, offering a cathartic experience that was both intense and unrelenting. Music that’s raw, rotten, and evil… I nothing more to say., just that Emissary‘s music and visual presentation create a cohesive and immersive experience for listeners, drawing them into a world of cosmic horror and dark mysteries.
I wish to point out two songs, and without much information: the songs in question are “Hobbs’s End,” and “The Witchfinder Rides Again.” The Witchfinder Rides Again, this could be a reference to the famous Witchfinder General. Often associated with Matthew Hopkins, an infamous English witch-hunter who operated during the English Civil War. Hopkins, who self-styled himself as the “Witchfinder General,” was active mainly in East Anglia from 1644 to 1647. Now “Hobbs End,” Hobbs End is a fictional location that appears in various works of science fiction and horror. One of the most notable appearances of Hobbs End is in the 1967 British science fiction/horror film “Quatermass and the Pit” (also known as “Five Million Years to Earth” in the US). Why I’m pointing this out, is that The Witchfinder General gets a lot of talk, whilst Quatermass and the Pit does not, and this sparks my little grey-cells, due to I love the film Quatermass and the Pit.
The Sixth Sin, The Artwork:
The artwork for Emissary‘s albums is designed to reflect the band’s dark and Lovecraftian themes. The cover art for their latest album, “Eldritch,” was created by Alex Shadrin. It features haunting and otherworldly imagery that complements the music’s oppressive and mesmerizing atmosphere.
The Seventh Sin, Disrelish:
There is nothing to dislike in the musical offerings of Emissary and their album, Eldritch. Thus, we conclude our review of Emissary and their album, Eldritch. I would like to take this opportunity to express my gratitude for your time in reading this article. I encourage you to explore the work of Fetzner Death Records, The Metallist PR and the band Emissary and their album, Eldritch.
Members
Michel Regueiro: – guitar/vocals
Phillip Graves: guitar/backing vocals
Hlib Overchuk: drums
Track-Listing
01. Eternity Bound
02. Door to the Mystical
03. The Shadows Lengthen in Carcosa
04. At the Throne of Chaos
05. Hobb’s End
06. The Witchfinder Rides Again
07. Where the Silent Ones…
