Urku Llanthu – Pichkay Review

Urku Llanthu is a Dark Folk/Dungeon Synth solo artist from Ecuador. In 2025, Urku Llanthu released his fifth studio album, “Pichkay”, which includes five songs of ancestral settings and mystical messages set in the belief of the Andean culture. Pichkay was released through his label, Takiri Productions.

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Urku Llanthu, Pichkay Review: This review will evaluate every aspect of the album, from its intricate musical composition to its production. Our analysis will provide valuable insights to help you determine if this album is worth adding to your collection.

The First Three Sins of Pichkay

Let’s start by discussing the first three sins of Urku Llanthu and his album, Picthkay Amsa

The First Sin, The Strings/Keys: One will find in “Pichkay,” that all electrical instrumentals are omitted. Part from the keyboards, which offers the listener with an instrumental soundscape with the use of traditional Andean wind/string instruments and environment sound Fx. The Second Sin, The Vocals: Involves omitting the vocals… The Third Sin—The Percussions: Delves into the vast world of various drum beats, percussions, and environment soundscapes.

The Fourth Sin: Overall Discussion:

Ancestral settings and mystical messages set in the belief of the Andean culture

Soon as the listener presses the play button, the listener is welcomed to a Conceptual & archaic album, referring to the ancestral Andean worldview.

The Pichka is performed when someone dies. The mourners assume that the soul of the deceased has not left for good, it is among them and can see how much their loved ones do and say. Based on this ancestral Andean belief, three days after the death, the Pichkachiy is performed at the doors of the house where the ceremony takes place, with the light of a lantern or a fire. On a table, some of the deceased’s clothing is placed, simulating the body of the deceased and surrounding it with candles as if the corpse were present. Friends and relatives watch over it in this way: those present chew the highly prized coca leaf. Everyone praises the deceased’s virtues, convinced that the deceased listens to them and needs such praise to be happy and satisfied. Ashes, corn flour or quinoa flour, are thrown near the table and in the room where the death took place, with the aim of finding traces of the deceased’s passing in the ashes. The ancient practice and belief states that if this ceremony called Pichkay is not performed, the spirit of the deceased will not leave them in peace as it will continue to wander in this world. [Urku Llanthu]

Pichkay, showcases his artistic brilliance in a way that mirrors his previous works. It is a creation born not just of skill and talent but also a touch of fruit of art devilish inspiration. Each note and lyric is careful crafted, reflecting a level of professionalism that ensures nothing comes across as hastily put together. The music and instrumentation are not just well-composed, but also intricately arranged, drawing the listener deeper into Urku Llanthu‘s world. The intricate blend of musical elements forms a tapestry of sounds that captivate the audience and transport them to a realm where the immersive experience of his lyrical content truly shines.

Through Pichkay, Pablo Mesias has once again showcased his extraordinary talent in the realm of artistic devilry and musical arrangement. His prowess as a professional composer transcends boundaries, allowing him to intricately blend lyrical, instrumental, Ancestral Andean beliefs, and cultural traditions elements into a harmonious tapestry of sound that captivates listeners from the first note to the final crescendo. Mesias‘s ability to weave together melodies and poignant lyrics with a level of precision that is as captivating as it is immersive has solidified his reputation as a maestro of weaving sonic tales. Leaving a lasting impact on all who are fortunate enough to partake in the rich auditory experience that he has so meticulously crafted. With each composition, he invites audiences to embark on a mesmerizing journey through the depths of his creativity, demonstrating a more in-depth understanding of the power of music to evoke emotions, invoke memories, and transcend cultural barriers. In the world of musical innovation, Pablo Mesias stands as a beacon of inspiration, continuously pushing the boundaries of artistic expression and redefining what it means to be a modern-day musician and composer.

As always with Urku Llanthu, it is crucial to approach his music with an open mind, setting aside all modern distractions. Prepare yourself by creating a cosy atmosphere — lower the lights, find a comfortable spot on the sofa, and perhaps grab a drink to further enhance the experience. By fully immersing yourself in the music, you will embark on a captivating journey that delves into the rich tapestry of Ancestral Andean beliefs, cultural traditions, and historical narratives. Let the melodies and rhythms transport you to ancient times, where you can explore the depth of these profound themes while appreciating the unique blend of musical elements that Urku Llanthu skilfully weaves into his compositions. Embrace the opportunity to connect with the essence of Andean heritage, allowing the music to resonate with your soul and evoke a sense of wonder and exploration. So, next time you listen to his music, make sure to create the perfect setting for this immersive experience and allow yourself to be swept away by the magic of “Urku Llanthu‘s” artistry and storytelling.

Again, each work that Pablo Mesias releases is all different, both in theme and musical, but keeping the music to bare essentials, such as dark synths and traditional Andean/folk instrumentals. Sound FX such as Andes environment, birds chirping, crackling fire(s), and the sound of water runner, not just add character and depth -but bring the music alive. 

The result is a captivating soundscape that immerses listeners in hypnotizing atmospheres, with melancholy and dark melodies, goosebumps, ominous, dark and haunting synths that evoke various emotions. The use of natural audio clips and wind instruments further adds to the authenticity of the composition, taking listeners on a journey through the Andes Mountain range and beyond.

As the album gradually fades into silence, with the last song, Pukara. We want to give a shoutout to Urku Llanthu for letting us review his Pichkay album. Now, we’re going to wrap it up by talking about the final three sins and concluding the review.

Play

The Last Three Sins

Let’s discuss the last three sins of Urku Llanthu and his album, Pichkay

The Fifth Sin, The Memorabilia:

We greatly admire the work produced and provided by Urku Llanthu. It is challenging to put into words what has already been written. However, every time we write about his new releases, it presents a fun and magical challenge. Each release is different, seems darker and brings something unique to the table. The music is never repetitive, making it a pleasure to listen to.

The Sixth Sin, The Artwork:

The artwork speaks powerfully, as always, Urku Llanthu artwork captures and evokes the music and the Andean theme.

The Seventh Sin, Disrelish:

There is nothing to dislike in the musical offerings of Urku Llanthu and his album Pichkay. Thus, we conclude our review of Urku Llanthu and his album Pichkay. I would like to take this opportunity to express my gratitude for your time in reading this article, and I encourage you to explore the work of Urku Llanthu and his other works of art.

Members

Atuk Urku Llanthu (Pablo Mesias): songwriting, all instruments

Track-Listing

01. Anku
02. Hanak
03. Killpana
04. Tukuna
05. Pukara

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