A Dark Folk/Dungeon Synth solo artist from Ecuador. October 2022 saw the release of his second single Kishpina, a dark and light element of piece art that would gratify fans of Meditation & Ancestral-spiritual Music. The single was released through his label Takiri Productions.
Introduction:
Urku Llanthu, Kishpina: This review will evaluate every aspect of the album, from its intricate musical composition to its production. Our analysis will provide valuable insights to help you determine if this single is worth adding to your collection.
The First Three Sins of Kishpina
Let’s start by discussing the first three sins of Urku Llanthu and his single, Kishpina.
The First Sin, The Strings/Keys: Involves an instrumental environment of ambience and atmosphere and traditional Andean wind/string instruments. The Second Sin, The Vocals: Involves omitting the vocals for an instrumental environment. The Third Sin—The Percussions: Delves into the vast world of various tempos, fills, and beats of leather drumbeats/percussions.
The Fourth Sin: Overall Discussion: A darkly and lightly element of piece art…
Immediately the listener presses that play button, one is welcome to Urku Llanthu –who needs no induction…. A mastermind…. Providing and delivering extraordinary devilmanship and musical art upon the listener’s ears and mind, with a telling of a different concept with every release.
This latest piece, based on the Yanantin, is a Quechua concept related to the complementary duality, which in turn is the “Equilibrium” from the complementary opposition. This is one of the best-known and defining characteristics of ancestral Andean thought and world-view. Andean dualism sees the opposites of existence: male/female, dark/light, indoor/outdoor.
So please turn off all modern devices, find that right moment to drift away, relax, unwind, channel, and open your mind with headphones (I suggest this to capture the atmosphere of the music). As one continues their musical journey, one is welcome to the sound of nature, the sound of the wind whistling through your ears and mind, the gentle tap of the high hat of the drum kit and warm-rekindling atmospheric keys.
This provides a sound of calming and tranquil atmosphere that travels through the mind and ears of the listener. At the same time, being an instrumental piece, the composing of the instrumental and musical spectrum is well written in the compelling and astonishing method of enjoying making the music, not for himself, but for his fans.
As always, Urku Llanthu captures something remarkable within his musical art that consists of a sound that (again) spiritually amalgamates the fundamental theme – a musical composition, the transcendence of the traditional celebrations of the original peoples of the Andes Mountains.
Kishpina recalls this new state of inspiration, research, composition and musical art of Urku Llanthu, which will be reflected among others in the third studio album for 2023. These are interdependent and essential parts of a harmonious whole because existence itself is believed to depend on the tension and balanced exchange between polarities, the harmonizing of seemingly conflicting opposites. They understand that a perfect relationship is achieved when two energies are harmonious. The elements to be matched must first be ‘compared’ to achieve the ideal fit.
Here, the crucial notion is sharing borders to create a harmonious coexistence, the foundation of freeing oneself in spirit and soul for a legacy of enduring vision. The elementary reasoning is based on spontaneous expression as simultaneous entities of life and death. [Urku Llanthu]
We want to give a shoutout to Urku Llanthu for letting us review his single, Kishpina. Now, we’re going to wrap it up by talking about the final three sins and concluding the review.
You’re Listening to “Kishpina”
PlayThe last Three Sins
Let’s discuss the last three sins, our thoughts on Urku Llanthu and his single Kishpina.
The Fifth Sin, The Memorabilia: Is that for us, once more, the music is breathtakingly unique.
The Sixth Sin, The Artwork:
As always, all of Urku Llanthu‘s artwork truly captures the instrumental environment of the music and atmosphere.
The Seventh Sin, Disrelish:
Nothing to disrelish within the musical spectrum of Urku Llanthu, and his single Kishpina.
This concludes the Urku Llanthu, Kishpina review.
Track-Listing:
- Kishpina
Urku Llanthu is:
- Atuk Urku Llanthu (Pablo Mesias) – songwriting, all instruments
