The moment the listener hits the play button, they are welcomed by the opening track, Descenso en Fractal, which envelops them in a rich and intricate atmosphere with its inviting instrumental introduction. This soothing beginning soon transitions into a powerful and dynamic instrumental section that is both intense and aggressive.
As the listener continues their musical journey with the second piece, Encarnacion, and immerses themselves in the remaining eight pieces, they will find a rich tapestry of themes waiting to be explored. The listener will find a complex interaction within society, the deep reflections of philosophical thought, the detailed depictions of urban landscapes, and the complicated dynamics of technocracy are some of these subjects. Through these diverse themes, the music invites listeners to contemplate the multifaceted layers of modern existence, offering a unique and thought-provoking experience that is both intellectually stimulating and emotionally resonant.
As the listener indulges in this ultimate pleasure of a delicious extreme metal delight, where the taste is not only delightful but also satisfying. If you have a penchant for the unconventional and complex, especially in the realm of extreme metal with a unique flair, then Acrostic beckons you with their distinctive style dubbed “Noisethrash.” The gritty intensity of crust punk, the rebellious origin of crossover, and the essence of old-school thrash meal are all skilfully combined in this genre to create an unapologetically raw, aggressive, high-speed, and crushingly heavy soundscape.
Cosmo(A)gonia, which is a fruit of art, composed over thirty-five minutes and features ten engaging tracks of varying duration. The tracks in this musical landscape range in length from short compositions of less than two minutes to longer works of more than three or four minutes. The album’s climax is found in the final track, La Era Dorada which captivates listeners with an immersive journey that lasts more than eleven minutes. This closing piece showcases the band’s musical prowess, inviting the listener to intricate compositions and arrangements.
Acrostic embraces a DIY approach, often collaborating with underground labels like Underground Defenders Recs and Dissonant Death Recs. This ethos allows them to maintain creative control and stay true to their roots. While the music is this mix of raw and old-school thrash, crust and crossover, there is some technical approach to the instrumentals; overall, it’s an unpleasing fruit of art experiences to the listener’s ears. While Acrostic primarily focuses on traditional thrash metal instrumentation, that is delivered by this tight devilmanship. Their DIY ethos and underground roots suggest that any sound effects used are likely minimal and serve to enhance the rawness of their music rather than overshadow it.
Acrostic presents a vibrant fusion of artistic DIY spirit and raw, underground music, ensuring a tight and energetic sound. The guitar work is both fierce and rapid, honouring the essence of classic thrash metal. Their riffs are complex and unyielding, amplifying the intensity of their sound. Pelao Attack, who serves as both bassist and vocalist, plays a pivotal role in shaping the band’s identity. His bass lines create a robust and dynamic backbone, while his vocal style is gritty and powerful, perfectly matching the aggressive instrumentation. The drumming in Acrostic is both forceful and precise, sustaining the high-octane rhythms that are vital to their thrash metal essence. The drums are instrumental in propelling the speed and fervour of their tracks.
Acrostic and their album Cosmo(A)gonia deliver a powerful, gritty, and unrefined sound that is sure to satisfy fans of extreme and classic thrash/crust punk.
Cosmo(A)gonia concludes with its final track, La Era Dorada, an expansive instrumental piece lasting over eleven minutes. At the beginning, it evokes a brief Alice Cooper, “Welcome to My Nightmare” atmosphere, but the rest is perfectly crafted. The guitar and drums are tightly synchronized, creating a seamless flow. This is complemented by a section featuring pan-flute melodies, audio clips of birds singing, and gentle piano keys. The piece wraps up with a progressive segment, providing a fitting and satisfying conclusion. We want to thank, Acrostic for letting us review their album, Cosmo(A)gonia. We will wrap it up by discussing the final three sins and concluding the review.
