Atomic Cretins is a Extreme Black/Thrash band from the US. April 12th, 2022, Atomic Cretins independently released their fourth EP album “Day of Torment”, which includes three tormenting tracks, which would gratify raw/extreme music and horror fans. The EP was promoted through Pennsylvania Music Fan PR.
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Atomic Cretins, Day Of Torment Review: This review will evaluate every aspect of the album, from its intricate musical composition to its production. Our analysis will provide valuable insights to help you determine if this album is worth adding to your collection.
The First Three Sins of Day Of Torment
Let’s start by discussing the first three sins of Atomic Cretins and their album, Day Of Torment
The First Sin, The Strings/Keys: Features thrash metal barb-wire riffage/screaming shredding and evil rhythms. The Second Sin, The Vocals: Involves the possession of ‘female’ primitive and barbaric “sick as hell” screams. The Third Sin—The Percussions: Delves into the vast world of hell-bend strikes and blast beats.
The Fourth Sin: Overall Discussion:
Soul encounter music and attitude of providing unholy music
Immediately after the listener presses that play button, one is welcome to the opening piece Lago Nero, where the listener is welcome to a short synth intro, followed suit with some nasty and extreme instrumental and sick vocal work.
As soon as one continues their journey with the last two remaining tracks, Dana Anu and Day of Torment. There will be blood, sacrificial offering, sound, and atmosphere raw as hell. The sound was recording was done in a basement/hell pit of torture. So prepare for this tormenting journey of powerful and extreme music of pure carnage, brutal, suffocating, and devours the listener’s soul in its short duration.
Day of Torment offers and captures both metal elements of old-school black metal icy atmosphere and the aggression and fast tempo of thrash metal (simultaneously) Atomic Cretins provides the listener with thrash metal barb-wire riffage/screaming shredding and evil rhythms from the guitar. Drum work with hell-bend strikes and blast beats. Bri Elzebub‘s vocals provide the listener with primitive and barbaric (sick as hell) screams.
At the same time, Day of Torment is provided and delivered by solid and brutal and tormenting devilmanship and an inked lyrical theme on occult, Italian horror movies, and H.P. Lovecraft. This makes the music and atmosphere extra dark, evil, and extreme as hell!
The album concludes with the final track, Day of Torment. We want to give a shoutout to Pennsylvania Music Fan PR for letting us review Atomic Cretins and their album Day of Torment. Now, we are going to conclude the review by talking about the final three sins and concluding the review.
The Last Three Sins
Let’s discuss the last three sins of Atomic Cretins and their album, Day Of Torment
The Fifth Sin, The Memorabilia:
For me, Day of Torment delivers a forbidden fruit of art sound, that’s raw and unholy… at the same time, i love the frobidden fruit of art vocals of Bri Elzebub‘s that provides the listener’s ears with primitive and barbaric “sick as hell” vocals.
The Sixth Sin, The Artwork:
Depicts a painting of the Spanish Inquisition, which complements the music that torments the listeners’ souls, ears, and minds.
The Seventh Sin, Disrelish:
Nothing to disrelish within the musical spectrum of Atomic Cretins and their album, Day Of Torment. Therefore, this concludes Atomic Cretins and their album, Day Of Torment review.
Members
Bri Elzebub: vocals
Hit Cunningham: guitar
Keith Mikus: drums
J Mazzill: bass
Track-Listing
01. Lago Nero
02. Dana Anu
03. Day Of Torment
