Athenaeum Of Sin Reviews

The moment the listener hits the play button, they are welcomed by an atmospheric instrumental introduction in Chapter I. This sets the stage for the upcoming track, Introspective, along with the ten other pieces that follow. Each song delves into profound emotional and existential themes, perfectly complementing the reflective and atmospheric essence of the genre.

As the listener embarks on their odyssey, the listener delves deep into a mesmerizing musical voyage spanning forty-seven minutes of introspective and melancholic anguish. Where the unique fusion of atmospheric black metal’s ethereal ambiance and the haunting melancholy of depressive black metal, as well as combining post-rock and shoegaze elements found in post-black metal. Intricate audio snippets are carefully incorporated into the piece to cap off this auditory journey, enhancing the intricacy of the music and giving the listener a deeper level of immersion.

The album Introspective by Bleak Serenity is a melancholic, bleak and eerily dark fruit of art. The production is expertly done, perfectly capturing all the subtleties of the vocals, arrangements, and instrumental compositions, at the same time, the production transports the listener into almost dreamlike sonic landscapes. A sense of impending doom is evoked by the slow tempo, which makes it seem as through death is stealthily taking its victims. The instrumental piece, which reflects a deep examination of helplessness and darkness, is a monument to the devilmanship behind this chilling and dark creation.

Reinaldo Hilario provides the instrumentals for Introspective, while Gustavo Grando, best known for his work with the band Fohatt, supplies the vocals. Andres Rodrigues also contributes guest female vocals. This fruit of art devilmanship showcases an artistic arrangement and gives the audience a moving experience. The guitar work carries a melancholic and atmospheric tone that oscillates between intense intensity and ethereal beauty, combining gloomy sections with tremolo-picked riffs, and haunting melodies. The bass riffs lay a strong groundwork, grounding the compositions while intricately enriching their melodic and harmonic depth.

The complex drumming of Bleak Serenity, which includes both blast beats and double bass patterns typical of black metal. However, the band does, however, also embrace slower, more intentional rhythms that enhance the atmospheric essence of their music. The band’s immersive soundscapes are largely shaped by the synths, which Reinaldo skilfully layers to produce an ethereal background that beautifully contrasts with the heavier instrumentation. Together, these musical components arouse sentiments of reflection and melancholy that are strongly connected to the band’s lyrical themes.

Gustavo Grando‘s vocal artistry is the core element of Bleak Serenity‘s unique sound. His range spans from anguished vocals and wailing cries to softer, more expressive tones. At the same time, the vocals shift between distant screams and haunting clean singing. Additionally, Bleak Serenity enhances their music with an array of sound effects, such as field recordings and digitally altered sounds, which elevate the immersive experience of their tracks.

Bleak Serenity‘s album, Introspective, is (again) a fruit of art, a complex tapestry of atmosphere and intensity, that is drenched in melancholy, misery, and darkness. Because of the deep connections between each track, the music creates a mist-like audio experience. The listener is drawn in by this unearthly quality, which promotes a profound engagement with the eerie melodies and poignant words. As the final notes fade, it is hard not to think about the intense feelings evoked by this moving experience. 

“Introspective is not just an album; it is an emotional journey, a sonic reflection of internal struggles and the hidden beauty within pain. Bleak Serenity has managed to craft a work that speaks to the listener on a personal and profound level, solidifying itself as a promising name within the post-black metal and depressive black metal scene.” [MusiKa Mundi Online Records]

This is for you if you like bands like Violet Cold, Alcest, Nortt, Thy Light, Xasthur, and Burzum’s early works.