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Death Plague – Panoramic Bloodscape Review

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Death Plague isa n extreme-laden groove Metal band from Australia. On June 30th, 2021, the band released their debut independent EP album, “Panoramic Bloodscape,” which includes four brutal-groove shot songs, that would gratify fans of Lamb of God.

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Death Plague, Panoramic Bloodscape Review: This review will evaluate every aspect of the album, from its intricate musical composition to its production. Our analysis will provide valuable insights to help you determine if this album is worth adding to your collection.

The First Three Sins of Panoramic Bloodscape

Let’s start by discussing the first three sins of Death Plague and their album, Panoramic Bloodscape

The First Sin, The Strings/Keys: Comprise brutal and groovy heavy-hitting extreme riffs and rhythms…. The Second Sin, The Vocals: Characterized by inhuming growls. The Third Sin—The Percussions: Delves into the vast world of brutal crushing of the drums and beats.

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The Fourth Sin: Overall Discussion:

Brain-melting abomination of malice, dark, cold, harsh, ear-splitting music.

Immediately the listener presses the play button, one is welcome to the opening title track, Panoramic Bloodscape, which welcomes the listener to this non-fancy intro, but straight for a brutal groove-ridden atmosphere of fist-pumping headbang extreme delight.
One continues their dark journey with the second piece, Swarm the Corpse, and the other two songs.

Panoramic Bloodscape not only provides the listener with an intense satisfaction of brutal and heavy, powerful music but also provides the listener with this ear and brain-melting abomination of brutalisation, extreme-laden groove while embracing this malice, dark, cold, harsh, ear-splitting, electrifying atmosphere with an “endless concept world, and it is today’s world – even though it’s a four-track ep it is far from over, and the bloodscape is going to consume the whole basis of Death Plague as we navigate and expose all the oppressors that exist – so this ep is only really just a taste of future works.”

Panoramic Bloodscape is an album that pushes the boundaries of extreme metal and groove metal, delivering a raw, gritty, and powerful sound.

Panoramic Bloodscape‘s low-fi production adds depth to the music, making every note and riff sound like it’s coming straight from the band’s heart. The devilmanship is top-notch, with tight and solid performances that showcase the band’s impressive skills.

Witness the bewitching power of Chris, Denim, Lewis, and Dam as they unleash their musical prowess in a symphony of extreme riffs, groovy rhythms, and heavy-hitting bass licks. Chris’ and Denim‘s twin guitar work creates a plague-ridden atmosphere with their brutal riffs and groovy rhythms, while LEWIS‘s drum work keeps the music moving with his crushing beats. The final touch is Dam‘s vocal work, which is nothing less than inhuman growls that will leave you spellbound.

The four songs on the album are all expertly composed, each with its own unique sound and style. They are well-written, with lyrics that are both thought-provoking and hard-hitting.

The album concludes with the final track, Composition of the Masses. We want to give a shoutout to Death Plague for letting us review their album Panoramic Bloodscape. Now, we are going to conclude the review by talking about the final three sins and concluding the review.

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The Last Three Sins

Let’s discuss the last three sins of Death Plague and their album, Panoramic Bloodscape

The Fifth Sin, The Memorabilia:

When you listen to Panoramic Bloodscape, you’ll feel like you’re right in the middle of a mosh pit, with the energy and intensity of the music taking over your entire being.

The Sixth Sin, The Artwork:

The girl is trapped in time inside the Bloodscape (today’s modern society and the constant battles that we face, with human rights taken away, decisions being made with no choice, gender roles being forced, overall monetised agendas being used against lives), although alone she feels humbled and liberated as she feels segregated from the oppressors (government, religion, capitalist, hierarchy, suppression, courts, magistrates) of the land and comforted by the rats.
She, too, feels the rats (the people, the army, the alliance from freedom) agony, used as scapegoats and blamed instead of the actual perpetrators being held accountable. So together and alone, they feel at one and have a strong sense of freedom and power with no fear of the oppressors or their plan to cripple their liberty. [Death Plague]

The Seventh Sin, Disrelish:

There is nothing to dislike in the musical offerings of Death Plague and their album, Panoramic Bloodscape. Thus, we conclude our review of Death Plague and their album, Panoramic Bloodscape. I would like to take this opportunity to express my gratitude for your time in reading this article, and I encourage you to explore the work of Death Plague.

Members

Denim: lead guitars
Sean Hudson: bass
Lewis Hawthrone: drums
Chris Loney: rhythm guitar

Track-Listing

01. Panoramic Bloodscape
02. Swarm the Corpse
03. Parasitic Homicide Pt. 2
04. Composition of the Masses

Death Plague - Panoramic Bloodscape Review