Eurynome is an Italian Atmospheric Funeral Doom duo that emerged onto the music scene in 2018. Two years later, Eurynome independently unveiled their debut studio album, “Obsequies.” On November 25, 2024, the band followed up with their second full-length offering, titled “Miserere,” also released independently.
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Eurynome, Miserere Review: This review will evaluate every aspect of the album, from its intricate musical composition to its production. Our analysis will provide valuable insights to help you determine if this album is worth adding to your collection.
The First Three Sins of Miserere
Let’s start by discussing the first three sins of Eurynome and their album, Miserere
The First Sin, The Strings/Keys: Involves the removal of the guitar segment, which is substituted with two bass guitars. These bass guitars are characterized by distortion and are tuned to 436 Hz. Furthermore, atmospheric and symphonic/orchestrations segments are incorporated to enrich the overall auditory experience. The Second Sin, The Vocals: Involves (female) ethereal clean vocals resemble a ghostly dark/siren and beastly (male) growls. The Third Sin—The Percussions: Involves in slow, intentional rhythm that resonates like a funeral march, enhancing the overall sense of foreboding, that cleverly amplifying the atmosphere of dread.
The Fourth Sin: Overall Discussion:
Immersing yourself in a dimly lit room, bathed in the soft glow of moonlight, as you allow the atmospheric waves of Miserere to wash over you…
Before proceeding with the review, it is important to note that for those unfamiliar with Eurynome this band transcends the typical funeral doom genre. Eurynome is distinguished by its use of the 436 Hz tuning frequency, a standard that was prevalent in instruments during the 1800s. This particular tuning imparts a more decadent and melancholic atmosphere to their music, a characteristic that the duo weaves into each composition. Additionally, I am departing from my usual review style with Miserere, as I perceive this release to resemble a theatrical performance, drawing inspiration from the cemeteries and sombre culture of the 1800s, as well as ancient Greek and Roman mythology.
As soon as the listener hits play, they will be swept away into a shadowy realm that lasts just under sixty minutes, spread across seven lengthy tracks, immersing them in profound depths of dread, fear, despair, and darkness—definitely not something to experience when feeling down and alone.
On the Acheron Shores, the opening piece welcomes the listener with the sound of sorrowful violin playing that sets the tone and atmosphere. As the piece and the sorrowful violin continues, the sorrowful violin atmosphere is overshadowed by dense, slow and heavy of instrumental composition and crushing vocals, that will continue to consume the listener until the very end of sixty minutes.
Having experienced and penned an article on their 2020 debut album Obsequies, which I found immensely enjoyable, I was captivated by how this duo crafted their sound using just bass guitars, drums, and synths. Now, four years later, they have unveiled their second album, Miserere. This new work resonates with a darker, more powerful essence, showcasing a refined composition that reflects their strength and artistic evolution.
Similar to their debut album Obsequies, Miserere envelops the listener in a world of instrumental pieces centred solely around the bass tuned to a resonant 436 Hz frequency, as mentioned before. This unique tuning crafts a heavy, distorted atmosphere that evokes a profound sense of dread and darkness. The duo, consisting of Jacopo, who delivers haunting death growls and spoken word segments alongside rhythmic bass lines, and N. Delacroix, whose ethereal clean vocals resemble a siren’s call. As if luring the listener deeper into an abyss of sound and their inevitable fate.
Delacroix‘s enchanting voice weaves through the music, adding a haunting beauty that contrasts sharply with the oppressive bass tones. Her synth work further enriches the soundscape, introducing layers of complexity that elevate the overall experience. As she takes the lead in crafting the melodic elements, the interplay between her vocals and the deep, resonant bass creates a captivating tension that keeps listeners on the edge of their seats, caught between allure and despair.
Beyond the bass and synths, the inclusion of drums introduces a slow, intentional rhythm that resonates like a funeral march, enhancing the overall sense of foreboding. These beats, heavy and deliberate, contribute to the composition’s “funeral factor,” cleverly amplifying the atmosphere of dread. Coupled with sound effects like the rumble of thunder and the patter of rain, the music becomes a rich tapestry of sound that immerses the listener in a hauntingly beautiful yet unsettling experience.
Eurynome‘s album Miserere, emerges as a deeply moving exploration of darkness, heaviness, and sorrow, embodying a fruit of art endeavour (each track, may be lengthy, yet each one remains captivating and avoids any sense of monotony or repetition) that transcends mere sound. It is not just the music that captivates, but the lyrics, instrumentation, and the essence of devilmanship intertwine to create a haunting fruit of art experience. This is not an album to be relegated to the background; rather, it demands your full attention and a specific mindset to truly appreciate its depth and complexity.
Imagine immersing yourself in a dimly lit room, bathed in the soft glow of moonlight, with a comforting drink in hand. As you allow the atmospheric waves of Miserere to wash over you, your thoughts drift into the vast expanse of nothingness. This album invites you to embark on a journey of inner reflection, where each note and lyric resonates deeply, guiding your mind through a labyrinth of emotions and reflections.
For any fan of funeral doom metal, Miserere is an album that plunges into the depths of darkness, crafting a permanent sense of gloom and despair. Yet, it delivers far more than mere bleakness; it offers an immersive and haunting journey that elevates the listener’s experience beyond the typical confines of the genre.
As the last rays of light diminish, concluding with the closing piece Decadence in Minor, we would like to thank Eurynome for letting us review their latest release, Miserere. Now, we’re going to wrap it up by talking about the final three sins and concluding the review.
The Last Three Sins
Let’s discuss the last three sins of Eurynome and their album, Miserere
The Fifth Sin, The Memorabilia:
After experiencing their debut album Obsequies, I found myself truly captivated by the music, lyrics and their fruit of art devilmanship, but it was Miserere that resonated with me the most. At the same time, I could easily immerse myself in both albums, letting the dark and doom — like sounds and atmosphere wash over me as I relaxed in a warm bubble bath, finding solace in their haunting atmosphere.
Now, with Eurynome and their unique sound and instrumental setup, there’s potential to attract new listeners to the realm of funeral doom metal. My girlfriend, who typically isn’t drawn to heavy or sombre music, surprised me by expressing her enjoyment of two tracks from Miserere. My girlfriend, also mentioned that she could easily lose herself in the album, drifting off into a dreamlike state, which speaks volumes about the music’s ability to connect with a wider audience.
The Sixth Sin, The Artwork:
The artwork is by Canaletto (Giovanni Antonio Canal): “Imaginary View with a Tomb by the Lagoon” Oil on canvas, early 1740s – Venice, Italy. Like their debut album artwork, it also as this haunting symbol of the isolation and loneliness, but at the same time, captures the theme of Eurynome music, atmosphere, and lyrics.
The Seventh Sin, Disrelish:
Nothing to disrelish within the musical spectrum of Eurynome and their album, Miserere. Therefore, this concludes Eurynome and their album,, Miserere review.
Members
N. Delacroix: lead bass, piano, clean vocals, orchestrations
Jacopo Marinelli: rhythm bass, growls & spoken vocals
Track-Listing
01. On The Acheron Shores
02. Death of Poseidon
03. Funerals Unto Ruin
04. The Dead Helmsman
05. Afterlife Dejection
06. Seizing the Eventide
07. Decadence in Minor
