Eurynome is a Funeral Doom duo band from Italy. November 15th, 2020, the band independently released their debut studio album, “Obsequies”. Includes seven gloomy, dismal, and heavier songs that would gratify fans of Consummatum Est of Italy.
Eurynome Social Links
Eurynome, Obsequies Review: This review will evaluate every aspect of the album, from its intricate musical composition to its production. Our analysis will provide valuable insights to help you determine if this album is worth adding to your collection.
The First Three Sins of Obsequies
Let’s start by discussing the first three sins of Eurynome and their album, Obsequies
The First Sin, The Strings/Keys: Features the guitar part being removed and replaced by two bass guitars in this concept. The bass guitars are distorted and tuned to 436 Hz. Additionally, atmospheric and symphonic elements and keys are added to enhance the overall sound.. The Second Sin, The Vocals: Involves angelical and ghostly dark female vocals and beastly male growls. The Third Sin—The Percussions: Delves into the vast world of slow funeral death march drum strikes and beats.
The Fourth Sin: Overall Discussion:
Invites you into a dimly lit room where candles flicker, and modern distractions fade
As soon as the listener presses that play button, the opening piece, Eloquence of the Doomsday Fog, greets the listener with the sound of a ghostly wind—following suit with a dismal, slow, heavy dirge funeral doom composition.
The listener embarks on a captivating journey with the second piece, The Ancient Stele Of Eurynome, and the remaining five pieces. These compositions take the listener on a dark, emotional journey inspired by 1800s cemeteries, sombre cultures, and ancient Greek and Roman mythology.
Eurynome‘s musical style is a unique blend of 19th-century Funeral Doom Metal. It is characterized by using the 436 Hz tuning frequency, a standard in instruments from the 1800s. This tuning gives their sound a more decadent and melancholic vibe, a quality that the duo incorporates into every track.
To further enhance their music’s gloomy, slow, and heavy nature, they have added twin bass, adding an even weightier and more dismal quality to their sound.
Eurynome compositions create a powerful sense of darkness and solitude, evoking the feeling of being in an 18th-century cemetery surrounded by fog and spirits. The music captures a slow and haunting atmosphere, with moments of tension, peace, and an overwhelming, epic quality.
Eurynome‘s compositions are a journey into the depths of dread, fear, despair, and darkness. They capture the essence of funeral doom, providing a rich and intense musical experience.
Additionally, atmospheric and symphonic elements and keys are added to enhance the overall sound. These symphonic keys, with their haunting melodies and rich harmonies, further enrich the sonic landscape, infusing it with depth and haunting sorrow.
For any fan of funeral doom metal, Obsequies is an album that delves deep into darkness and creates an atmosphere of gloom and despair. However, it offers the listener much more than just that—it provides an immersive and haunting experience that transcends the genre’s usual expectations, leaving the audience eager to dive into the album.
Overall, Obsequies is a funeral rite/ceremony that is awe-inspiring, dark, and beautiful.
The album comes to an end with the last song, The End of All We Know. We want to give a shoutout to Eurynome for letting us review their album, Obsequies. Now, we’re going to wrap it up by talking about the final three sins and concluding the review.
The Last Three Sins
Let’s discuss the last three sins of Eurynome and their album, Obsequies
The Fifth Sin, The Memorabilia:
For us, Eurynome‘s latest album, Obsequies, presents a mesmerising and unique musical experience that seamlessly weaves dark, haunting, and melancholic melodies together. Eurynome’s music doesn’t feel like a carbon copy of Black Sabbath, Pentagram, Pagan Altar, or Candlemass. Instead, it carves out its own distinct identity while still capturing the essence of these influential bands.
Obsequies is an album that invites you into a dimly lit room where candles flicker, and modern distractions fade. It allows you to fully immerse yourself in its haunting atmosphere.
The Sixth Sin, The Artwork:
The artwork was designed by Xelistroll. Album Art Design. The artwork depicts a lonely or ghostly figure standing beneath a ruined monument — a poignant symbol of the isolation and loneliness described in the lyrics and music.
The Seventh Sin, Disrelish:
Nothing to disrelish within the musical spectrum of Eurynome and their album, Obsequies. Therefore, this concludes Eurynome and their album, Obsequies review.
Members
N. Delacroix: lead bass, piano, clean vocals, orchestrations
Jacopo Marinelli: rhythm bass, growls & spoken vocals
Track-Listing
01. Eloquence of the Doomsday Fog
02. The Ancient Stele of Eurynome
03. The Dead Warden
04. At the Solitary Crypt
05. Conducting Our Own Funeral
06. One with the Graveyard’s Undergrowth
07. The End of All We Know
