Evocator is a Swedish atmospheric doom/blackened death historically themed solo artist. Evocator will release his second studio album “Moirai Unyielding” on September 1, 2024.
Evocator, Moriai Unyielding: This review will evaluate every aspect of the album, from its intricate musical composition to its production. Our analysis will provide valuable insights to help you determine if this album is worth adding to your collection.
The First Three Sins of Moriai Unyielding
Let’s start by discussing the first three sins of Evocator and his album, Moriai Unyielding.
The First Sin, The Strings/Keys: Features distortion of dark and bringer of death melodies with compelling string work with various tones and tempos that create a sense of magic aura. The Second Sin, The Vocals: Involves in various styles and ranges, that bring the lyric themes alive. The Third Sin—The Percussions: Delves into the vast world of rhythmic flow and battering of various patterns, beats, fills, and strikes.
The Fourth Sin: Overall Discussion: Takes the listener on a Greek-mythology journey about, “Clotho,” one of the three Fates…
Immediately as the listener presses the play button, the open eleven-minute piece, Daughters of Nyx. As well as the remaining three pieces, Strands of Clotho, Lachesis’ Appraisal, and Ineluctable Atropos, greet the listener with a dark journey about the daughter of Nyx.
Two years ago, Evocator released his debut release Ancient Cataclysm, which I enjoyed, not for the music, but because this one-person (Nick) act brought something different to the metal table of music. It evolved around various historical events, such as the Bronze Age, and the Hittite Empire, and themes in Greek and Egyptian mythology.
Now, Evocator takes the listener on a Greek-mythology journey about, “Clotho.” One of the three Fates, or Moirai, in Greek mythology. She is known as the “Spinner” because her role is to spin the thread of human life from birth. Her sisters, Lachesis and Atropos, measure and cut the thread, respectively. Clotho’s parentage varies in different myths. She is often considered the daughter of Nyx, the primordial goddess of the night, but some sources also mention Zeus and Themis as her parents.
If anyone has listened to Evocator debut release, this second release is a bit different, while retaining its doom metal foundation while incorporating black and death metal elements and the band’s trademark historical themes. While Moriai Unyielding, retains everything from the debut, there are some differences. As I listened to this release and revisited the debut, I did find this second release more of a fruit of art and more enjoyable. The fact this release, has slipped further down the rabbit hole, of coming darker, denser and engrossing.
Evocator showcases evocative compositions, intricate songwriting, diverse instrumentation, and captivating vocals. It’s a genuine fruit of art experience that I highly recommend you immerse yourself in, using headphones for the full effect. Each piece is over eleven minutes long, and within each song, you’ll discover a rich tapestry of compositions that keep the listening experience fresh and engaging. The guitar work is particularly noteworthy, featuring compelling string work with various tones and tempos that create a sense of magic. The drum work provides a solid foundation for the music, while the vocals are delivered in various styles and pitches, effectively bringing out the depth of the lyrics. In addition, you’ll notice moments of female choirs subtly woven into the background, as well as beautiful piano sections that add further depth to the composition.
The music and lyrical theme are enhanced by employing diverse vocal styles and pitches, which range from aggressive singing/chants, and snarls, to deep belly growls blended with distortion and hard-hitting narrative. This approach introduces different vocal elements at various points during each song/verse in the song. This elevates the composition beyond being a simple fruit of art, but a more “theatrical blackened death/doom fruit of art performance.”
Evocator‘s music is characterized by exceptional sound quality and precise production. The composition and instrumentation demonstrate a high level of devilmanship, artist and skill, making it a fruit of art, and musical creation. Each song is well composed and will keep you engaged, and thought out. Each piece is over eleven minutes, making each piece more thrilling and entertaining.
A must for any extreme metal fan – a dark, epic and thrilling, one that should not be missed.
The album comes to an end with the last song, Ineluctable Atropos We want to give a shoutout to Evocator for letting us review his album, Ancient Cataclysm. We shall conclude the review by discussing the final three sins.
You’re Listening to “Tremors of Poseidon”
PlayThe Last Three Sins
Let’s discuss the last three sins of Evocator and his album, Moriai Unyielding.
The Fifth Sin, The Memorabilia:
I found Evocator‘s debut release to be captivating and enjoyable, but I found Morai Unyielding even more captivating and enjoyable. The latter was well-constructed and composed, with compelling lyrics and intricate songwriting, and the music and instrumentation were top-notch. Additionally, the darker tone of Morai Unyielding effectively captured the thematic essence of the lyrics.
The Sixth Sin, The Artwork:
The artwork is exceptional and captures the lyrical theme perfectly.
The Seventh Sin, Disrelish:
Nothing to disrelish within the musical spectrum of Evocator, and his album Moriai Unyielding.
This concludes the Evocator, Moriai Unyielding review.
Track-listing:
- Daughters of Nyx
- Strands of Clotho
- Lachesis’ Appraisal
- Ineluctable Atropos
Evocator Is:
- Nick: vocals
Band/Artist Links:
