Once hitting that button, the opening piece, First Page, greets the listener with this haunting and spine-chilling (organ) instrumental intro, which has this King Diamond atmosphere. Following suit with the second piece, Stand Up and Fight UP and the remaining eight songs.
Fatal Arrival embarks on a unique musical journey, weaving a dark and entertaining heavy-metal theatrical-musical-play concept. The album delves into the life of a loner and his distinct world-view, addressing those who defy mainstream society, those in mourning, and those battling inner demons.
Fatal Arrival devilmanship delights the listener with soaring, classic eighties heavy metal sound and vibe, mixing a range of influential legends like Judas Priest, Mercyful Fate/King Diamond, and Iron Maiden. Marc Brösing’s guitar work is a sonic journey through the depths of heavy metal. His music is fuel-driven, with dark and heavy melodies that will take you on a wild ride. The riffs are sharp and clean, with a galloping rhythm that will make you want to headbang.
Brösing’s soaring harmonization rhythms and solos are nothing short of epic, and his acoustic pickings add a touch of intimacy to his music. Marc Brösing is not alone in his quest to create music that rocks. Alina‘s bass playing is substantial and dark, filling the music’s emptiness with a powerful presence. Her pickings are precise and add depth to the already rich sound.
Steffen’s drumming is galloping and thundering, providing a solid foundation for the rest of the band to build on. His patterns and beats are complex and exciting, adding a unique flavour to the music. Together, they create a powerful, intense, and unforgettable sound. Lehmann’s vocals contain multifaceted vocal ranges/tones, including King Diamond’s sinner’s high-pitched scream and shrieks.
Fatal Arrival’s approach to metal is not about writing hymns. But about seeing metal as a life motivator, a character strengthener, and a platform for life- and self-criticism. They strive to create diverse, non-monotonous songs with a wide vocal range and intricate structures. Their unique metal style, while old-school-oriented, is a testament to their dedication and is sure to be enjoyed by fans of old-school heavy metal and Mercyful Fate/King Diamond.
Wrapped in this dark atmosphere and cold mist of old-school heavy/black metal, the album serves as a “Retelling Tale of Classic Heavy Metal,” a homage to the genre’s roots and a testament to its enduring appeal.
The album ends with the last song, My Time Will Come. We thank Fatal Arrival for letting us review their album, A Loners Tale. We will wrap it up by discussing the final three sins and concluding the review.
