An Occult Blackened Death Band from Ireland/France. On July 29th, 2023, Gravefields released their debut EP and second studio album, Tetragammation. Embark on a musical odyssey through nine intense compositions influenced by a fictional religion and the emergence of 17th-century messianism. The album was released through Satanath Records.
Introduction:
Gravefields, Tetragrammaton: This review will evaluate every aspect of the album, from its intricate musical composition to its production. Our analysis will provide valuable insights to help you determine if this album is worth adding to your collection.
The First Three Sins of Tetragrammaton
Let’s start by discussing the first three sins of Gravefields and their Tetragrammaton album.
The First Sin, The Strings/Keys: Features sinful, heavy, and intense riffs with haunting tremolo picking and dark melodies. The Second Sin, The Vocals: Involves rumbling at a frantic pace of ferocious guttural and screaming vocals. The Third Sin—The Percussions: Delves into the vast world of powerful and thunderous drum strikes and blast beats.
The Fourth Sin: Overall Discussion: A Tapestry of sonic darkness that reaches every corner of the listener’s mind
As soon as the play button is pressed, the album welcomes the listener with a crisp, melodic guitar riffage and a captivating ritualistic soundscape and chants. This sets the tone for the opening track, Forbidden Psalms, which delivers a powerful and innovative experience that will captivate.
Immerse yourself in the exhilarating sounds of Gravefields‘ latest album, Tetragrammaton. This exceptional musical, Rotten Fruit of Art —is a must-have for all black and death metal enthusiasts. With nine occult/epic and enthralling tracks, the album is a journey that explores the concept of messianism during the 17th century.
Tetragrammaton tells a “fictional tale of a religion” filled with cursed idols. As you progress through the tracks, starting with Forbidden Psalms, you’ll be consumed by Gravefields‘ intense aggression that envelops you in an unyielding vortex of darkness, malevolence, speed, technicality, and atmosphere.
The album perfectly captures the essence of chaos and brutality, creating a truly immersive experience that captivates your ears and soul.
The music produced by this particular band is an extraordinary form of art, distinguished by its lightning-fast technicality and ominous aura. The guitar riffs are sinfulness, heavy and intense, with haunting tremolo-pickings and dark melodies that create a sense of uneasiness when combined with the thunderous drum strikes and blast beats.
The ferocious guttural and screaming vocals intensify the unrelenting and frantic pace, overwhelming the listener and evoking a sense of impending doom. Despite the intensity, the band’s musicianship and production value are of the highest quality, resulting in an immersive atmosphere that transports listeners into the very world of the album. The band’s expert, heavy, brutal music delivery will captivate you from the first note, leaving an unforgettable experience in your senses.
Per my review, Tetragrammaton is a fruit art, particularly for those with a keen taste for brutal and aggressive music. The album showcases an outstandingly high production quality and fruit of art-devilmanship. It is undoubtedly essential for every die-hard extreme metal fan out there. You should fully immerse yourself in the world that Tetragrammaton has created through its latest musical fruit of art and feel its intensity and raw power.
Tetragrammaton is, without a shadow of a doubt, a true gem that deserves a meaningful spot in your music collection.
The album comes to an end with the last song, song name We want to give a shoutout to Satanath Records for letting us review Gravefields and their Tetragrammaton album. Now, we’re going to wrap it up by talking about the final three sins and concluding the review.
You’re Listening to “Pilgrims Of Amirah”
PlayThe Last Three Sins
Let’s discuss the last three sins, our thoughts on Gravefields and their Tetragrammaton album.
The Fifth Sin, The Memorabilia: Is that for us, the level of precision and attention to detail the band displays in their latest album, Tetragrammaton, is truly remarkable. Through a combination of eerie melodies and ominous riffs, each track is crafted meticulously to instil a sense of unease and foreboding in the listener.
The commanding vocals are powerful and carefully controlled, conveying a palpable sense of danger throughout the album. The relentless barrage of impactful beats and overwhelming heaviness is shrouded in a sad and dismal atmosphere, immersing the listener in the haunting and ominous world the band has created.
The Sixth Sin, The Artwork:
The artwork is the angel Metatron, “Metatron” is widely regarded as a distinguished angelic ruler who holds a prominent position among his peers. He is known to be an esteemed adviser to God, particularly concerning celestial movements. Unlike other angels, Metatron is considered more of an intellectual figure than a warrior.
The Seventh Sin, Disrelish:
Nothing to disrelish within the musical spectrum of Gravefields, and their album Tetragrammaton.
This concludes the Gravefields, Tetragrammaton review.
Track-Listing:
- Psalms
- The Ascendancy
- Archmessiah
- The Blessed Pariah
- Pilgrims of Amirah
- Seraphim
- Vagrant
- Schasm
- Our Allegiance
Gravefields is:
- Thomas Blanc – lyrics and vocals
- Alan Hurley – guitars and drums
- Paul Girvin – bass
