As soon as the listener presses play, the opening piece, Not Me, greets the listener with an electrifying, full-of-life introduction.
The listener embarks on a profound journey with the second piece, The Inferno, and the remaining ten pieces, each resonating with powerful music and lyrics within the musical spectrum and with a runtime of under fifty minutes. This introduces the listener to twelve songs that are not just full of life and fresh but also profoundly sung from the heart and soul of Liz, evoking a range of emotions and leaving a lasting impression.
Each song is a unique narrative, drawing you in with its relatable lyrics.
Liz Van Gretsch‘s words speak to everyone, inviting you to close your eyes, listen, and let the music paint vivid pictures in your mind.
The production is well-executed and perfectly polished. It creates an atmosphere that allows the listener to appreciate every note, beat, chord, and vocal within the musical spectrum. The music compositions, lyrics, devilmanship, and instruments are all works of art. The guitar work adds a nice flair, while the drums and bass contribute depth and drive to the music.
Liz Van Gretsch‘s vocals, a testament to her musical prowess, blend seamlessly with the pulsating rhythms, shimmering guitar waves, and epic-electric drumbeats. The song/lyrics are well executed and genuinely exceptional, resulting in a polished and powerful sound that will leave you feeling uplifted and inspired.
What sets All Will Come to Light apart are its irresistible hooks, anthem choruses, crisp drumbeats, percussion, fills, infectious melodies, electrifying synths, and engaging keys. For instance, Liz’s vocals soar over a driving drumbeat in the track The Inferno, creating a powerful and memorable chorus.
These elements are not just thrown in but strategically placed to surprise and delight the listener, a hallmark of Liz Van Gretsch‘s music.
Simultaneously, the listener will encounter a unique fusion of eighties rock, electronic, synth wave, drum and bass, and pop. All are seamlessly woven together with a consistent tempo flow and perfectly placed changes within the music’s walls, creating a musical experience that is both familiar and refreshingly new. This blend of genres is not just a random mix but a strategic arrangement that surprises and delights the listener, a hallmark of Liz‘s music.
Each song is a unique narrative, drawing you in with its relatable lyrics. For instance, in the track Not Me, Liz Van Gretsch‘s words speak to everyone, inviting you to close your eyes, listen, and let the music paint vivid pictures in your mind. Her lyrics often explore self-discovery and personal growth themes, resonating profoundly with listeners. At the same time, Liz Van Gretsch‘s music is not just about bopping along or singing to the choruses. It’s about stirring your emotions, confronting your demons, overcoming obstacles, and, ultimately, creating an unforgettable experience that will leave a lasting impression.
From our perspective, Liz Van Gretsch‘s vocals, musical prowess, and intricate guitar work all represent a multifaceted artistic expression.
The album comes to an end with the last song, Baby We’re Home. We would like to give a shoutout to Liz Van Gretsch for letting us review her album, All Will Come To Light. But this review is on the Athenaeum Of Sin team, for her support and love. Now, we’re going to wrap it up by talking about the final three sins and concluding the review.
