A Post-prog Metal Band from Spain. On October 13th, 2022, Nomera released their latest studio album, “Domo-137”. The album is an amalgam of styles such as post, progressive, core, and death, all revolving around Metal as the central pillar.
Nomera Social Links
The First Three Sins of Domo-137
Let’s start by discussing the first three sins of Nomera and their album, Domo-137
The First Sin, The Strings/Keys: Features a swath of incendiary riffs, and the bass work is composed of the heavy (complex) texture-atmosphere of post-metal with the heavy (rich, distorted and powerful) structure of progressive metal riffs. There are moments of clean rhythmic chords and solid bass lines that pop out. The Second Sin, The Vocals: Involves omitting the vocals and replacing them with an instrumental atmosphere. The Third Sin—The Percussions: Delves into the vast world of multiple drum strikes of various tempos and beats.
The Fourth Sin: Overall Discussion:
Music that transports the listener through a never-ending soundscape
When the listener presses the play button, they are welcomed to the opening piece, Ocaso, which features a clean and calming riffage opening—followed by a warm soundscape, solid bass riffs, and drum beats.
As one continues their never-ending journey, with the second track, Kamn, and the remaining three pieces, where the listener’s ears will find that Domo-137 is a beautiful and breathtakingly composed and well-arranged release. With its diversity/amalgam of styles of elements such as post-metal, progressive metal, core, and death metal all revolving around metal as the central pillar.
Simultaneously, one can appreciate the art, with its well-executed atmospheres loaded with exquisite sound quality, which cope with increasingly elaborate soundscapes, guitar/bass and drum work, all provided and delivered by tight and fruit of art devilmanship.
Domo-137 is a perfect release from the moment of pressing that play button, consisting of fruit of art instrumental composition to the listener’s ears. It is an ideal balance of giving the listener’s ears various tempos, metallic tones, pianissimo to fortissimo and enormous song build-up moments (with a touch of head-nodding moments) which makes use of a swath of incendiary of instrumental artistry.
Track three marks a crucial turning point. Una Mattina embodies a serene essence within the piece, evoking a similar ambiance to the haunting melodies of Forever Autumn from War Of The Worlds.
Domo-137‘s production, sound, and atmosphere-soundscape are perfect in themselves—with its crisp and clear sound, topped with five equally solid, strongly composed songs and music that transports the listener through never-ending soundscapes, all provided and delivered by potent and (again) fruit of art devilmanship and instrumental composition.
The album comes to an end with the last song, Vortice We want to give a shoutout to Nomera for letting us review their Domo-137 album. Now, we’re going to wrap it up by talking about the final three sins and concluding the review.
The Last Three Sins
Let’s discuss the last three sins of Nomera and their album, Domo-137
The Fifth Sin, The Memorabilia:
For us, Nomera and their album, Domo-137 is a musical instrumental score that’s neither dull nor repetitive, fresh and potent—as if the band tells a beautiful yet romantic composition story.
The Sixth Sin, The Artwork:
I’m not too sure about the artwork?
The Seventh Sin, Disrelish:
Nothing to disrelish within the musical spectrum of Nomera and their album, Domo-137. Therefore, this concludes Nomera and their album, Domo-137 review.
Members
David Hernández: drums
Adrian Roig: bass
Vicente Roca: guitar
Jose Jurado: guitar
Aleksey Stepanov: bass
Track-Listing
01. Ocaso
02. Kamn
03. Una Mattina
04. Tales of Oleksiya
05. Vortice
