Razorblade - You Cant Kill Me Review

Razorblade – You Cant Kill Me Review: A Thrash/Punk band from the United States. On February 13th, 2022, Razorblade released their debut EP; You Can’t Kill Me, which comprises four dying times of good thrashy/pukish songs that would gratify fans of D.R.I, SOD and Discharge. Under A Spell was promoted through Pennsylvania Music Fan PR.

Razorblade – You Can’t Kill Me Review opens and discusses the FIRST SIN: THE STRINGS/KEYS, which comprises a guitar attack of fast and dirty riffage with blasting bass riffs.

Let’s talk about the SECOND SIN: THE VOCALS, which involves unclean and raspy vocals.

Moving on to the THIRD SIN: THE PERCUSSIONS, which delves into the vast world of upbeat, groovy & thrashy drum strikes and beats

In our following discussion about the band’s musical work, we will focus on the FOURTH SIN, the overall DISCUSSION of the album. Immediately, the listener presses that play button, welcomed with a Mad Max Thunderdome – DYING TIME INTRO, following suit with a groovy-punkish instrumental and raspy vocal attack of the remaining piece and the last three remaining pieces.

As one continues their dying-time journey with the second track, HAMMER CRUSHED SOUL, and the last two remaining pieces, one will find the surprising enjoyment of one of the tracks is an excellent reference to the “Mad Max Beyond the Thunderdome” movie/film.

RAZORBLADE slashes through the listener’s ears with its loud, powerful, raw, groovy, thrashy, punkish, headbanger, and dirty atmosphere/sound and musical spectrum. It provides and delivers a well-crafted release with the influence and elements of adding a splash of ANTHRAX, early-SLAYER, and a good soaking of D.R.I, UK hardcore punkers DISCHARGE, and a few others through its musical veins.

RAZORBLADE also provides the listener with production/sound recording that’s pure underground and old-school, consisting of top-notch devilmanship that injects instrumental work of guitar attack of fast and dirty riffage, with additional shredding of the fret-board, upbeat groovy and thrashy drum strikes and blasting bass riffs. At the same time, the vocals are unclean and raspy.

I wanted to share our thoughts and MEMORABILIA on the FIFTH SIN. RAZORBLADE‘s music is raw, old-school, underground, dirty and to the point.

Let’s discuss the ARTWORK of the SIXTH SIN. The artwork is not the best but captures that vintage homemade look.

Finally, the review will close with the last sin, the SEVENTH SIN, the DISRELISH. Since there is nothing to disrelish within the musical world of RAZORBLADE. This concludes the Razorblade – You Cant Kill Me Review.

You Can’t Kill Me Song-listing: