Athenaeum Of Sin Reviews

An Alternative Rock Band from the US. On July 16th, 2022, the band released their debut studio album, Nowhere Safe, which would gratify Nirvana and Smashing Pumpkins fans. The album was released through Thirty Something Records.

Introduction:

Roseneath, Nowhere Safe: This review will evaluate every aspect of the album, from its intricate musical composition to its production. Our analysis will provide valuable insights to help you determine if this album is worth adding to your collection.

The First Three Sins of Nowhere Safe

Let’s start by discussing the first three sins of Roseneath and their album, Nowhere Safe.

The Fourth Sin: Overall Discussion: Mesmerising ethereal wall-of-sound atmosphere of dreamy and mellow textures

Immediately, as the listener presses the play button, the listener is welcomed to the opening piece, NOISY, an introductory instrumental and vocal anthem that cuts out all the fancy intros and goes straight into the music and a dream-like atmosphere.

As one continues their journey with the second piece, Free Fall, and the remaining seven pieces…

Nowhere Safe creates and delivers, at the same time, drawing the listener within the music. A captivating and breathtakingly beautiful composition work that’s well-arranged (both in the music and instruments). The musical spectrum is well-executed and combines various compositions/characteristics -nicely placed at the right moment, when needed — well-balanced, each piece doesn’t overpower the other.

Simultaneously, Jason and its musical spectrum, take influence from the nineties’ alternative classics and modern grunge, post-hardcore, and shoegaze bands. Thus creating this captivating dirty/dry and mesmerising ethereal wall-of-sound atmosphere, dreamy and mellow textures of blackgaze/shoegaze, driven drum beats/patterns. Sometimes the album captures this alternative -upbeat and powerfulness of pop rock and that grungy/post-hardcore raw energy sound driving riffs with soaring melodies sections to create something new with a familiar nostalgia and raw-soaring-emotional vocals and choruses.

As I was inking, the review and my ears opened with the sound of this magical piece of art! —simultaneously, Nowhere Safe gives the listener’s ears an equally solid release that is highly enjoyable -relaxing, and full of life; each song is different, a musical score/release that’s different -yet fresh and doesn’t sound the same, and is neither dull nor repetitive.

Nowhere Safe seems to have this (somewhat) continuation from the debut EP release Shine, with one difference! Nowhere Safe adds a slightly polished and professional sound to the production, and the atmosphere is richer and dreamier than Shine.

NOWHERE SAFE‘s enchanting and awe-inspiring devilmanship is delivered and provided by the talented hands/minds of Jason Roberts and Brain George. Creating two releases that are both magical, different, and unique, music that can be sat with and enjoyed while doing something else.

The album comes to an end with the last song, Spill. We want to give a shoutout to Roseneath for letting us review their album, Nowhere Safe. Now, we’re going to wrap it up by talking about the final three sins and concluding the review.

The Last Three Sins

Let’s discuss the last three sins, our thoughts on Roseneath and their album, Nowhere.

The Fifth Sin, The Memorabilia: Is that for us, Nowhere Safe is a musical journey that’s genuinely transfixing and entertaining from the moment you press the play button.

The Sixth Sin, The Artwork:

The artwork (and the album title) speaks for itself.

The Seventh Sin, Disrelish:

Nothing to disrelish within the musical spectrum of Roseneath, and their album Nowhere Safe.

This concludes the Roseneath, Nowhere Safe review.