Rvdra – Kvrv Kvrv Kvrv Review: A Italian Hard Trance producer B. R. K. aka Marko Anzu. Released under the sign of Aquarius. On January 26th, 2020, Marko Anzu released his debut studio album, KVRV KVRV KVRV. The album was released through We Don’t Give A F**K.
Rvdra – Kvrv Kvrv Kvrv Review opens and discusses the FIRST SIN: THE STRINGS/KEYS, Which comprise various guitar playing utilising dark and gloomy atmospheres
Let’s talk about the SECOND SIN: THE VOCALS, which involves death chants.
Moving on to the THIRD SIN: THE PERCUSSIONS, which delves into the vast world of epic-battling drum/ritualistic strikes with a hint of gloom and doom
In our following discussion about the band’s musical work, we will focus on the FOURTH SIN, the overall DISCUSSION of the album. Immediately the listener hits the play button. Don’t expect anything heavy, brutal, or extreme, but a connection with oneself and RVDRA‘s music—where one begins their death blues journey with the intro track LA MUERTE and the remaining three pieces.
RVDRA‘s music sends the listener into the magical world and mind of RVDRA, released under the sign of Aquarius; the concept of standing behind the Death Blues sound of RVDRA is related to the destruction of the limited boundaries of the ordered creation of life. Every track of KVRV! KVRV! KVRV! is a mantra for a vortex generating the wave of the void of the life of death. Raising the power of nihilistic individualism to exorcise and evocate the primitive force of rage through the furious Inner Daimon, Rvdra creates a tool of shamanic magic in its most violent ritualistic form where the present is the future past.
KVRU! KVRU KVRU delivers and provides the listener’s ears with a magical-musical score of mixing and channelling the influences of electronic trance, SISTERS OF MERCY, THE CULT, DANZIG and Delta Blues and giving the listener this ear-to-ear experience of very well thought-through arrangements in the music and songs of bringing the music to life with the capturing of various atmospheres, tones, tempos and moods, including multiple instruments such as tambourine, organ (push in the background) and Indian guitar riffage.
At the same time, the leading instrumental and vocal artistry includes guitar work consisting of clean (sometimes presenting with a reverb) passages or gloomy-dark Gothic passages, drums utilising epic-battling drum/ritualistic drum strikes.
MARKO’s vocal work consists of various chants such as (echo and reverb) Gothic, the opening piece death chants with imagery of a tribe dancing around a fire – bringing celebrating a young man (from a cub) into a Warrior (into a wolf)) or slow death-like “Gothic” vocals and shamanic magic and chants.
RVDRA delivers this fruit of art devilmanship, of creating a rich and magical musical spectrum that digs deep into the root of SISTERS OF MERCY, DANZIG and various ritualistic/transfixing and cultural soundscapes/atmosphere and trance-inducing vibes of diverse spiritual cultures.
I wanted to share our thoughts and MEMORABILIA on the FIFTH SIN. The music is genuinely mesmerising and awe-inspiring, leaving me wholly spellbound and unable to find the words to describe the sheer beauty of the music.
Let’s discuss the ARTWORK of the SIXTH SIN. Captures the whole theme of the lyrics and music
Finally, the review will close with the last sin, the SEVENTH SIN, the DISRELISH. Since there is/With nothing to disrelish within the musical world of RVDRA. This concludes the Rvdra – Kvrv Kvrv Kvrv Review.
KVRV! KVRV! KVRV! Song-listing:
- La Muerte
- Legion
- Raise and Praise
- Evil Against Evil
RVDRA Members:
- All vocals, instruments, arrangements, programming and rituals are conceived, composed, performed and recorded by Marko Anzu
