As soon as the listener presses the play button, the opening piece, The Remedy greets the listener with an alternative and progressive instrumental introduction, don’t let the introduction fool; the following piece will surely bite. Following suit with the second piece Not Again and the remaining eight pieces that take you on a journey about “between pandemics, social changes and a never-dormant flame of revolt,” the group is formed by mixing five elements from different backgrounds very different and varied musical styles.
The Remedy and their album Sore deliver something different-something that is neither classic, heavy nor AOR. It’s not power, it’s not prog, it’s not death, it’s not doom/sludge, it’s not thrash, but all time itself has a bit of everything… The Remedy boasts an impressive repertoire that highlights a rich tapestry of musical influences. As you dive into their sound, you’ll discover a seamless fusion of vintage seventies rock, evoking a wave of nostalgia, alongside the thunderous energy of doom metal that resonates powerfully with every chord.
Their music also features traces of modern metal, injecting a fresh, contemporary vibe that enthrals listeners and challenges conventions. But they don’t stop there; the band skilfully weaves in the ferocity of old school thrash and death metal, showcasing their adaptability and commitment to reviving classic metal sounds. Additionally, their dynamic essence shines through in their exploration of dark alt-rock, where haunting melodies and poignant lyrics create a rich emotional landscape.
Ultimately, the band’s ability to navigate these varied genres not only highlights their exceptional talent but also ensures that every listener can uncover something distinctive and captivating within their intricate sonic landscape. Sore is a fruit of art release, as well as the devilmanship, unfolding like a breathtaking tapestry, reminiscent of waves gracefully undulating across the sea. The listener is enamoured by the haunting yet powerful voice of Ilenia “Fenis,” whose vocal prowess strikes a balance between the likes of Doro Pesch, Cristina Scabbia, and Alissa White Gluz. Ilenia “Fenis” skilfully weaves emotions into her performance, seamlessly shifting between clear, melodic tones and a more guttural style, all while maintaining impeccable diction and a touch of raw allure.
On guitars, Andrea “Rust” and Enrico “Jack” deliver a blend of alternative and heavy riffs, complemented by dynamic percussive rhythms. Meanwhile, Andrea Moretti on bass lays down a robust groove that anchors the entire composition. Ale “The Sword” on drums propels the music forward with relentless beats and intricate rhythmic patterns.
In essence, The Remedy navigates a space that defies easy categorization. It’s not your typical classic rock, heavy metal, AOR, power, or progressive sound—nor does it delve into the realms of death or doom/sludge. Instead, it embodies a distinctive creation, a unique artistic expression that stands apart—bold, innovative, and undeniably powerful in its delivery. The best approach to experiencing this music is to dive in without any preconceived notions or expectations. Trust that, ultimately, there is a remedy for everything!
The album concludes with the final track, S.T.O.M. We want to give a shoutout to, The Triad Records for letting us review The Remedy and their album, Sore. Now, we are going to conclude the review by talking about the final three sins and concluding the review.
