Tria Prima is a Ukrainian band, playing alchemical Death Metal with elements of Doom and Dungeon Synth. Tria Prima will drop their independent debut EP, “Three Primes of Alchemy”, on the 12 January 2025. The band is currently working on a new full-length album, which they plan to release in the second half of 2025.
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Tria Prima, Three Primes of Alchemy Review: This review will evaluate every aspect of the album, from its intricate musical composition to its production. Our analysis will provide valuable insights to help you determine if this album is worth adding to your collection.
The First Three Sins of Three Primes of Alchemy
Let’s start by discussing the first three sins of Tria Prima and their album, Three Primes of Alchemy
The First Sin, The Strings/Keys: Involves in guitar spell casting of groove-laden complexity, balancing technical prowess with epic solos that resonate with both technical prowess and emotional depth. Topped with synths that add a whimsical layer… The Second Sin, The Vocals: Involves guttural vocals that propel the lyrics with raw power. The Third Sin—The Percussions: Delves into a vast world of relentless drumming and beats that lays down a formidable rhythmic foundation.
The Fourth Sin: Overall Discussion:
The elements harmonized beautifully, creating a seamless experience that felt like a mystical concoction brewed by a sorceress.
Before diving into the review, I’m breaking away from my usual format for this one. I must highlight that the band, their songs, and the lyrics are professionally crafted! There are three original tracks, and the final piece, Deathhammer, which is a cover version, originally by the Dutch Death Metal act Asphyx.
The Three Primes of Alchemy, or Tria Prima, are essential principles in alchemy that were introduced by the Swiss alchemist Paracelsus. These three primes consist of Sulfur, Mercury, and Salt.
When the listener hits that play button, Tira Prima immediately welcomes the listener with a vibrant blend of sounds that is both fresh and unusual. They expertly fuse the fierce intensity of death metal with the weighty essence of doom, all while infusing the enchanting and fantasy realm of dungeon synth. This innovative combination sets Tira Prima apart, crafting a fruit of one-of-a-kind musical experience.
The journey begins with the opening track, Solar Sulfur, which envelops the listener in a shroud of whispered incantations, evoking a bewitching ambiance of American death-doom act Acid Witch. This piece captures the essence of combustibility, transitioning into a heavy, aggressive, and whimsically intricate composition that leaves a lasting impression.
Next, we delve into Philosopher’s Mercury, a track that embodies the spirit of fusibility and volatility. It weaves a tapestry of groove-laden complexity, balancing technical prowess with the relentless heaviness of death metal and doom. The whimsical elements emerge seamlessly, enhancing the overall experience. Finally, Witchcraft Salt serves as the concluding piece, representing the principles of non-combustibility and non-volatility. It opens with a blend of aggressive and mystical tones, evolving into a hard-hitting, complex drive that maintains its aggressive edge throughout, creating a captivating finale.
The creative force behind Tira Prima is no stranger to the metal scene, boasting a wealth of experience that shapes their sound. Each member brings a unique background from various prominent Ukrainian projects, creating a rich tapestry of intensity and melody. Ruslan Hrytsiuta, known for his work with Mankind Wrath, infuses the music with his fruit of art guitar skills and devilmanship, delivering epic solos that resonate with both technical prowess and emotional depth. His synth contributions add a whimsical layer, while his guttural vocals propel the lyrics with raw power, ensuring that every word strikes a chord with the listener.
Jury Sinitsky, with his impressive history in bands like ex-Drudkh, ex-Blood of Kingu, and ex-Lucifugum, lays down a formidable rhythmic foundation with his artistic drumming. His dynamic style elevates Tira Prima’s music, driving it forward with an energy that is both captivating and relentless. Meanwhile, Serhii D. D. Bondar enriches the band’s sound with his bass lines and backing vocals, while also contributing to the keyboards and songwriting. His experience with bands such as Bestial Invasion and Cosmic Jaguar brings an added layer of complexity and depth to their compositions, making Tira Prima a formidable force in the metal genre.
Tria Prima has unveiled a fruit of art and captivating experience, with each track showcasing its own distinct sound, tone, tempo, and intensity. The instrumental arrangements are perfectly balanced, never overshadowing one another; instead, they emerge precisely when needed, creating a seamless flow that highlights the band’s artistic prowess. The result is a collection of songs that resonate with energy and reflect a deep commitment to devilmanship and creativity.
Tria Prima stands out as a band that has ingeniously blended elements of death metal, doom, and dungeon synth, pushing the boundaries of conventional music. Their innovative approach invites listeners to explore a soundscape that is both thought-provoking and exhilarating, demonstrating a fearless willingness to encourage creative thinking. This unique fusion captivates the ear and challenges the mind, making their music a genuine immersive experience.
As the elements are consumed into nothingness, the Three Primes of Alchemy culminates with the explosive track Deathhammer, delivering a bold and unapologetic finale that leaves a lasting impact. We want to give a shoutout to Tria Prima and their album The Primes of Alchemy. Now, we are going to conclude the review by talking about the final three sins and concluding the review.
The Last Three Sins
Let’s discuss the last three sins of Tria Prima and their album, Three Primes of Alchemy
The Fifth Sin, The Memorabilia:
From the very first note of the opening track, Tria Prima captivated me in a way that felt particularly special. I was immediately drawn in, even by the band’s introduction. However, I must admit that I had my doubts about their unique blend of death and doom metal with dungeon synth. While there are bands that successfully merge death-doom or band’s that merge black metal with dungeon synth, I wondered if this combination of death-doom and dungeon synth would resonate. Surprisingly, it did, and the artistry and the devilmanship behind the music was key to its success. The elements harmonized beautifully, creating a seamless experience that felt like a mystical concoction brewed by a sorceress.
The Sixth Sin, The Artwork:
The artwork may not be top-notch, but the music certainly compensates for it. Interestingly, the visuals do a fruit of art job of embodying the theme, lyrics, and overall sound.
The Seventh Sin, Disrelish:
Nothing to disrelish within the musical spectrum of Tria Prima and their album, Three Primes of Alchemy. Therefore, this concludes Tria Prima and their album, Three Primes of Alchemy review.
Members
Ruslan Hrytsiuta: vocals, guitars, keyboards lyrics
Jury Sinitsky: drums
Serhii D. D. Bondar: bass, back vocals, keyboards, songwriting, conception
Special guests:
Anira: female vocals
E. Maestro: solo guitars
Track-Listing
01. Solar Sulfur
02. Philosopher’s Mercury
03. Witchcraft Salt
04. Deathhammer (Asphyx Cover)
