A Dark Folk/Dungeon Synth solo artist from Ecuador. June 21st, 2022 saw the release of his debut single Rupachina, a firey, spiritual & magical piece that would gratify fans of Meditation & Ancestral-spiritual Music. The single was released through his label Takiri Productions.
Introduction:
Urku Llanthu, Rupachina: This review will evaluate every aspect of the single, from its intricate musical composition to its production. Our analysis will provide valuable insights to help you determine if this single is worth adding to your collection.
The First Three Sins of Rupachina
Let’s start by discussing the first three sins of Urku Llanthu and his single, Rupachina.
The First Sin, The Strings/Keys: Comprise an instrumental environment of ambience, atmosphere and traditional Andean wind/string instruments. The Second Sin, The Vocals: Involves omitting the vocals for an instrumental environment. The Third Sin—The Percussions: Delves into the vast world of various drum beats, percussions, and environment soundscapes.
The Fourth Sin: Overall Discussion: A concept based on the custom of burning Chamiza…
Before heading into the music, one again – this is not music, but a mystical journey of alluring one’s soul with a concept based on the custom of burning Chamiza. This herb grows in moist and cool lands, covering the roofs of huts and rustic houses.
Also, a cultural and ancestral expression symbolizes burning the energies left over and renewing them to start a new life cycle. Ancient peoples have always seen fire as a healing, energetic, and spiritual element; that also goes in these expressions accompanied by Andean music and musical instruments typical of each region of the Altiplano and which also opens the doors for the celebration of Inti Raymi (Sun God Ceremony).
Hence, the research accompanying this new cycle of inspiration, composition & musical art of Urku Llanthu will be reflected among others in the third album, which is taking shape with this first musical beginning, Rupachina.
Onwards with one’s journey, as soon as the listener presses the play button, one kindles oneself with this firey, spiritual, and magical piece/atmosphere and an opening of otherworldly synths -following with a swift sound change and atmosphere.
Where the listener is encountered with the sound crackling of a fire (captures the theme of the song) and charming keys and tribal drumming (horns/wood flute (pan pipes)).
At the same time, the whole piece is beautifully composed and well-arranged, with fantastic devilmanship. The sound (again) spiritually amalgamates the fundamental theme — a musical composition, the transcendence of the traditional celebrations of the original peoples of the Andes Mountains.
Urku Llanthu has captured something unique (again) with his music – not just taking the listener in but alluring the listening deep in the music, making the listener feel like you’re there
Now the single has come to an end. We want to give a shoutout to Urku Llanthu for letting us review his single, Rupachina. Now, we’re going to wrap it up by talking about the final three sins and concluding the review.
You’re Listening to “Rupachina”
PlayThe last Three Sins
Let’s discuss the last three sins, our thoughts on Urku Llanthu and his single, Rupachins.
The Fifth Sin, The Memorabilia: Is that for us, How breathtakingly the music is while giving the listener a connection with oneself. At the same time, taking the listener to another world — an authentic experience….
The Sixth Sin, The Artwork:
Truly captures the instrumental environment of the music and atmospheres dark and mysterious.
The Seventh Sin, Disrelish:
Nothing to disrelish within the musical spectrum of Urku Llanthu, and his single Rupachina.
This concludes the Urku Llanthu, Rupachina review.
Track-Listing:
- Rupachina
Urku Llanthu is:
- Atuk Urku Llanthu (Pablo Mesias) – songwriting, all instruments
