Vehemence Abyss is a raw and old-school Black Metal solo artist/band (“Melkor”) from Portugal. On October 26th, 2024, Vehemence Abyss released their debut full-length album, “Shadows Of Sin: Chronicles of Portuguese Serial Crimes”. Which was released through Supergoat Wreck-Whordes / Studios13.
Vehemence Abyss Social Links
Vehemence Abyss, Shadows Of Sin Review: This review will evaluate every aspect of the album, from its intricate musical composition to its production. Our analysis will provide valuable insights to help you determine if this album is worth adding to your collection.
The First Three Sins of Shadows Of Sin
Let’s start by discussing the first three sins of Vehemence Abyss and his/their album, Shadows Of Sin
The First Sin, The Strings/Keys: Crafts a soundscape that resonates with raw, eerie melodies, plucked from the depths of his guitar and bass. Each riff is a blade, while each note echoing like a ghostly whisper from the void. The Second Sin, The Vocals: Unleashes a spine-chilling wails that slice through the fabric of the music. The Third Sin—The Percussions: Thunderous beats of the drums reverberate through the emptiness, showcasing his remarkable speed and unwavering commitment, propelling the music forward with relentless energy.
The Fourth Sin: Overall Discussion:
A descent into the abyss, a “chilling symphony” journey through the macabre tales of Portugal’s most feared serial killers
Before we get to the article, we are pleased to present additional reviews of Melkor. Following our initial set of six reviews, we have returned with another six. We already commenced with the first review titled The Rise Of Ophiuchus – As Galaxies Merge Review. Now get ready for this “chilling symphony” called Vehemence Abyss, a raw and extremely fast, this black metal symphony is a chilling tribute to the darkest corners of human nature.
The moment the listener hits the play button, they are immediately enveloped by the powerful sounds of The Vanishing Mystery, a track that combines fierce instrumentals with vocal intensity, gripping the audience from the very start. As the musical journey unfolds with the second track, Hidden Monster, and the subsequent five pieces, it transports the listener on an unparalleled adventure. This music and its lyrics are not meant for the timid; they promise a thrilling ride that is anything but easy.
The lyrics focus around Catherine Theodore’s lyrics, drawn from the blood-soaked pages of true stories, add a haunting narrative, each word a step deeper into the cold, unforgiving night. Together, they create an artwork that is as visually striking as it is sonically brutal, a true homage to the darkest corners of human history.
Within the depths of Studio13, where the air is thick with the scent of creativity and darkness, where a fruit of art devilmanship-malevolence emerges, enveloping the listener in a rich auditory experience. Within the musical spectrum, and devilmanship, Melkor skilfully crafts a soundscape that resonates with raw, eerie melodies, plucked from the depths of his guitar and bass, each note echoing like a ghostly whisper from the void. His voice unleashes spine-chilling wails that slice through the fabric of the music, while his meticulous production and mastering serve as a form of sorcery, transmuting chaos into a hauntingly beautiful symphony.
The thunderous beats of Jeroen’s drums reverberate through the emptiness, showcasing his remarkable speed and unwavering commitment, propelling this black metal forbidden fruit of art forward with relentless energy. Catherine Theodore’s lyrics, inspired by the grim realities of true events, weave a chilling narrative that draws the listener further into the icy embrace of the night. Together, they forge a creation that is as visually captivating as it is sonically ferocious, paying tribute to the darkest recesses of human experience and history.
Vehemence Abyss‘s album Shadows of Sin: Chronicles of Portuguese Serial Crimes presents a fierce auditory experience, encapsulated in just under thirty-five minutes across seven blistering tracks. This black metal opus serves as a haunting homage to the most sinister aspects of human existence. Each riff cuts through the air like a sharpened blade, while every drumbeat resonates like the pulse of dread, drawing inspiration from the infamous figures who once roamed these very streets. Shadows of Sin: Chronicles of Portuguese Serial Crimes emerges as an unyielding force, with music that howls like a tempest at night, echoing the secrets of the damned.
This is more than mere music; it is a plunge into the abyss, a harrowing exploration of the grim narratives surrounding Portugal’s most notorious serial killers. So embrace the shadows, for within them lies the primordial spirit of black metal.
As album and the final track, Infanticide fades in abyss emptiness. We want to give a shoutout to Melkor for letting us review his album, Shadows Of Sin: Chronicles of Portuguese Serial Crimes. Now, we are going to conclude the review by talking about the final three sins and concluding the review.
The Last Three Sins
Let’s discuss the last three sins of Vehemence Abyss and his/their album, Shadows Of Sin
The Fifth Sin, The Memorabilia:
Having immersed myself in the music of Melkor and penned reviews for his earlier works like Temple of The Fallen and Carnificina, Etc., I’ve witnessed a remarkable evolution in his artistry and devilmanship. After experiencing Shadows of Sin and Rise of Ophiuchus, it’s clear that Melkor has progressively built upon his previous successes, growing stronger with each new release. With my initial six reviews behind me and now diving into another set of six, I find myself eagerly anticipating what lies ahead. The production quality, the contributions from guest artists, the depth of the lyrics, his devilmanship, and the intricate instrumental arrangements all come together to create a refined fruit of art and pure underground metal, that should be unearthed…
The Sixth Sin, The Artwork:
Their artwork is absolutely captivating; it’s darkness embodies the entire essence of music and Catherine Theodore’s lyrics
The Seventh Sin, Disrelish:
Nothing to disrelish within the musical spectrum of Vehemence Abyss and his/their album, Shadows Of Sin. Therefore, this concludes Vehemence Abyss and his/their album, Shadows Of Sin review.
Members
Melkor: guitars, bass, vocals
Catherine Theodore: lyrics
Jeroen: drums
Track-Listing
01. The Vanishing Mystery
02. Hidden Monster
03. The Elusive Ripper
04. The Aqueduct Killer
05. Sin Slayer
06. Beach Massacre
07. Infanticide