Xenos A.D. is an Italian Thrash Metal band. Renowned for their old-school and modern, intense sound. On May 23, 2025, Xenos A.D. released their third full-length album, “Reqviem for the Oppressor.” The album was released through My Kingdom Music.

Xenos A.D., Reqviem for the Oppressor: This review will evaluate every aspect of the album, from its intricate musical composition to its production. Our analysis will provide valuable insights to help you determine if this album is worth adding to your collection.

The First Three Sins, The Summary

The First Sin, The Strings/Keys: The Guitar work is a relentless force, delivering razor-sharp riffs, intricate solos, and technical flourishes that define the album’s aggressive tone. The deep-throated bass lines provide a solid foundation, anchoring the music with weight and intensity. The Second Sin, The Vocals: The vocals are forceful and emotive, perfectly embodying the album’s themes of war and totalitarianism. The Third Sin—The Percussions: The heartbeat of the album, propelling each track forward with relentless energy. With precise, propulsive rhythms, shift seamlessly between blistering speed and groove-laden sections.

The Fourth Sin, Overall Discussion

A Haunting Prelude: Calm Before the Storm

As soon as the listener presses play, the opening track, 1986, greets them with an acoustic instrumental—an eerie calm before the storm. This introduction swiftly builds into an aggressive explosion, foreshadowing the relentless energy that follows.

Unleashing Chaos: A Descent Into War

As the listener continues their journey with the second piece, Dogma of War, it propels the listener into a whirlwind of thematic and sonic intensity. Xenos A.D. continues to develop the subject of war and its destructive impact on the next seven tracks. This theme flows smoothly across the album’s nine tracks over forty-two minutes.

Echoes of Thrash Titans: A Legacy Reimagined

Reqviem for the Oppressor is a powerful and relentless fruit of art. Paying tribute to the titans of thrash metal, drawing influence from Slayer, Megadeth, Kreator, Exodus, and Testament. While rooted in traditional thrash, the album also incorporates melodic and progressive elements, evoking the spirit of Metal Church and Death Angel.

A Triad of Devastation: Defining Tracks

Bringing up the theme topic, there are three fruits of art songs to mention. The first one is Dogma of War, a blistering opener that sets the album’s tone with chaotic riff structures and relentless percussion. The interplay between aggressive rhythm and sharp melodic undertones keeps the energy high. The Bleeding Hands of Faith, a thought-provoking critique of religious violence, featuring soaring leads and intricate transitions that heighten its emotional weight. Finally, Children of the Atomic Sun: the haunting final nail in the coffin, embodying themes of nuclear devastation. Its slower, ominous progression and eerie harmonies evoke a sense of inevitable destruction.

Sonic Warfare: Precision in Production

Reqviem for the Oppressor ambitiously displays their energy. Each track appears to be hyper-charged, fuelled by a force that propels the listener into the anger and fervour contained within the music. The sound is loud, clean, and massive. It adds weight to the album’s message, making the impact strike harder. All the elements in the mixture work together to convey urgency and rebellion. The structure of the music is very professional. Both the instrumental and structure are tight and accurate. The band has a professional equilibrium that ensures each note and beat is perfectly placed. Such careful planning provides the album with a solid structure and movement. Nothing ever sounds misplaced or sloppy. It’s almost like a well-lubricated machine, primed to explode at any moment.

At the same time, the album’s production is skillfully crafted to amplify its aggressive, forceful sound. The mixing ensures every instrument sits perfectly in the sonic landscape—drums punch through with precision, bass lines roar with depth, and guitars maintain a sharp edge without overshadowing the vocals. The balance between sheer heaviness and clarity allows for both brutality and melody to coexist seamlessly, enhancing the album’s message of urgency and rebellion.

Instrumental Dominance: The Architects of Chaos

The fruit of art devilmanship on this album, is floored to perfect, tight and powerful. Guitarist Giuseppe Taormina crafts a sonic landscape filled with razor-sharp and punchy riffs and intricate solos while infusing modern technicality, complex time signatures, creating a sound that’s both nostalgic and fresh. Drummer Danilo Ficicchia charges the music forward with forceful and propulsive drumming. His rhythms provide a solid foundation for the band’s complex arrangements, shifting deftly between searing velocity and groove-based sections.

Not to be overlooked, bassist and frontman Ignazio Nicastro anchors the album with rumbling deep-throated bass lines underpinning the guitar work. His vocals are forceful and emotive, and he properly interprets the album’s war and totalitarian themes. Nicastro‘s contribution lends more substance to the band’s sound by bridging the space between aggression and melody.

A Triumph in Modern Thrash

With Reqviem for the Oppressor, Xenos A.D. not only honours their thrash lineage but also pushes forward with progressive flourishes and impressive compositions. Their ability to merge aggression, melody, and technical finesse makes this album a standout release for fans of semi-progressive thrash.

Final Reflections

Concluding the album, Dance of the Gods, this song portrays the interplay of power and fate. The composition is dynamic, with shifting tempos and intricate guitar work, representing the chaotic dance of deities or forces beyond human control orchestrating the chaos of war. We want to give a shoutout to Xenos A.D. for letting us review their album Reqviem for the Oppressor. Now, we are going to conclude the review by talking about the final three sins and concluding the review.

The Fifth Sin, The Memorabilia

To me, Reqviem for the Oppressor is a hyper-tight, semi-progressive thrash metal album that beautifully balances old-school ferocity with modern technicality. It is an appealing listen throughout, blending raw ferocity with refined devilmanship. This album is not just a showcase of musical prowess; it is a testament to the band’s ability to evolve while remaining true to their roots. Listeners will find themselves drawn into a visceral experience that resonates long after the final notes fade away.

Xenos A.D. - Reqviem for the Oppressor Review

The Sixth Sin, The Artwork

Artist Ivan Stan designed the album’s cover, visually encapsulating the destructive nature of war—a central theme throughout the album. The artwork complements the music’s intensity, offering a stark representation of the chaos and violence explored in the lyrics.

The Seventh Sin, Disrelish

There is nothing to dislike in the musical offerings of Reqviem for the Oppressor; a fruit of art in thrash metal precision. Every riff, every lyric, every moment is crafted with intent, leaving no room for disappointment. The album’s ability to balance aggression with melody, technicality with accessibility, and raw energy with polished production makes it a standout in modern thrash. If there’s a flaw to be found, it’s that the experience ends too soon. Thus, we conclude our review of Xenos A.D. and their fruit of art album, Reqviem for the Oppressor. I sincerely appreciate your time in reading this article and exploring the depths of this powerful release. If you haven’t already, I encourage you to dive into the works of My Kingdom Music, as well as Xenos A.D.‘s latest offering and their back catalogue—there’s a wealth of thrash artistry waiting to be discovered.

The Hymns

01. 1986 (instrumental)
02. Dogma of War
03. Tears on the Face of God
04. Crown of Separation
05. Welcome the Destroyer
06. Children of the Atomic Sun
07. The Bleeding Hands of Faith
08. Reqviem for the Oppressor
09. Dance of the Gods (instrumental)

Xenos A.D.

Ignazio Nicastro — Bass & Lead Voice
Danilo Ficicchia — Drums
Giuseppe Taormina — Guitars & Growling Voice

Hear The Music